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Author Topic: Little FYI: Mic Switcher for A/B Testing  (Read 546 times)

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Offline bisforboogie

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Little FYI: Mic Switcher for A/B Testing
« on: January 11, 2018, 05:20:40 PM »

(in preface, I'm not affiliated with anyone for anything)

Was surfing around looking at cable testers and the various devices/methods available (because I CANNOT FIND my trusty ol' blue EbTech SwizzArmy box) and I ran across these...

...special cabling for switching back and forth between (2 or 3) mics for A/B(/C) tests:

2in/2out
http://www.ratsoundsales.com/mm5/merchant.mvc?Screen=PROD&Product_Code=soundtools-mic-swapper
3in>1out
http://www.ratsoundsales.com/mm5/merchant.mvc?Screen=PROD&Product_Code=soundtools-mic-switcher

The two are different in both "in" AND "out" schemes and it looks you'd need 2 units to swap a stereo set, but...


Perhaps this is old hat/old news, but it just flashed in my head that someone here might want such a thing.

...anyway, back to cable testers...


Offline DSatz

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Re: Little FYI: Mic Switcher for A/B Testing
« Reply #1 on: January 14, 2018, 09:37:52 AM »
When you want to compare the sound of two things, it's certainly a good idea to shorten the time interval between them as much as you can. And this type of switch could be OK for dynamic (or self-powered) microphones if the switching transients aren't too severe.

But with condenser microphones that are powered through their cables (e.g. phantom powering), there would be an interval after switching in which the capsule in the newly selected microphone is still charging up and the amplifier circuitry is still stabilizing. It might be only a second, but there wouldn't be a clean, immediate transition from one microphone's signal to the other's, if that's what anyone was imagining. Also, with a "make before break" switch as specified, there would be a moment during which current is drawn by both microphones simultaneously, which could disrupt or even (probably not often, but I've seen it) damage the power supply / preamp / recorder.

For all listening comparisons, we must never forget the old hi-fi salesman's trick: If you make one pair of otherwise comparable-quality speakers (or anything else) just half a dB louder than the other, the customer will tend to prefer the one that's louder, though they won't perceive a difference in loudness as such. Instead they will "hear details that the other one doesn't reveal" or "just feel like the sound is more real and convincing" or "a veil was lifted from the sound" or the like. Knowing the trick is no protection; you actually need to check and match your listening levels or the comparison is bound to be misleading. No amount of book learning or golden-earness can help; flip the listening levels, and (if the sound quality is generally comparable otherwise), your preference will tend to flip as well.
« Last Edit: January 14, 2018, 09:40:42 AM by DSatz »
music > microphones > a recorder of some sort

 

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