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Author Topic: Eternal question - cardioid/supercardioid use at 60,000 outdoor arena w.roof  (Read 3770 times)

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Offline Jonas Karlsson

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Hello!

Summer is coming up and I'll be attending the mighty AC/DC at the Friends Arena in Stockholm, Sweden in July (60,000 capacity arena).

Now. I got the AKG CK61 + CK63. CK61 is cardioid which I normally use outdoors, and the CK63 for indoor.

Friends Arena is an outdoor arena, but it has a roof that can slide shut if it's raining etc. Also crowd in Sweden at a show like this is usually very loud + we have the stupid dB-laws here that says not over 100dB at shows (aaaarrrghh!).

Which mic would YOU have used? I will try to get a position on the floor with as little screamers as possible, but we all know how fast a good position can turn into a bad one - with no option to move, depending on the day and show.

Word is free - give me your thoughts!

/Jontebus, Sweden
« Last Edit: April 12, 2015, 03:59:30 AM by jontebus »

Offline Jonas Karlsson

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Offline carlbeck

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Personally I would run 63's in that scenario since while it may be considered outdoors there is the seating on both sides that rise up like walls. The hypers will help with the crowd & since they are more directional provide a cleaner overall recording. I would also be sure to use the PAS method to capture as much direct sound as possible from the PA.
I know you like, tape for people's approval and stuff, and wave your tapes around like they're your dick...  but even you can't actually think section tapes from philips sound good.  



Mics: Telefunken Elam 260, 61, 62, MBHO KA200, KA500 > Niant PFA's, AKG C34L-MS
Preamps: Grace Lunatec V2, Shure FP24
Decks: Tascam DR-2d, Zoom F8

Old rig: Recording: AKG C34 & AKG CK1X or CK2X > MK46 > 460 > Aeta Mix2000 > Sound Devices 702

Playback: Thorens TD125, Denon DVD-2900> Bel Canto DAC-1 > Audible Illusions 3B > Rogue Atlas >ZU Wax Shotgun> Hyperion 938
ALL TUBES BABY!!!

backwhereubelong

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+1 on running the CK63's.

Offline acidjack

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If you're not close I'd say it's a good time for hypers.
Mics: Schoeps MK4V, MK41V, MK5, MK22> CMC6, KCY 250/5, KC5, NBob; MBHO MBP603/KA200N, AT 3031, DPA 4061 w/ d:vice, Naiant X-X, AT 853c, shotgun, Nak300
Pres/Power: Aerco MP2, tinybox v2  [KCY], CA-UBB
Decks: Sound Devices MixPre 6, Zoom F8, M10, D50

My recordings on nyctaper.com: http://www.nyctaper.com/?tag=acidjack | LMA: http://www.archive.org/bookmarks/acidjack | twitter: http://www.twitter.com/acidjacknyc | Soundcloud: https://soundcloud.com/acidjacknyc

Offline Jonas Karlsson

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Yes, my thoughts too... This place is known for shitty livesound too, and it's not outdoors in that way of a festival...

Just for my curiosity: PAS-method??

/Jontebus

Offline anode

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Point At Stacks  :)
There is a thread on it here, and I'm sure there are other threads on it as well.
http://taperssection.com/index.php?topic=167549.0

Offline Jonas Karlsson

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That's my method - always do that  :)

Offline ero3030

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Need a set of shot guns!!
needin some fishhead music!

" known for f**king up a good weekend on a Thursday nite "

Offline Jonas Karlsson

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Stealthing with shotguns?

Yes, try fitting this into whatever used to stealth  ;D

http://www.akg.com/pro/p/ck69uls

Offline yates7592

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That photograph, ughh, what a horrible place to have to tape in....

backwhereubelong

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That photograph, ughh, what a horrible place to have to tape in....

The challenge is part of the fun!  LOL.  I agree though, it's not the most "taper friendly" circumstances.

Offline Jonas Karlsson

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That photograph, ughh, what a horrible place to have to tape in....

Yep - and the place is known to have terrible sound...

As long as AC/DC makes a good show, I think I'll be alright with the AKG CK63  :D

 

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