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Author Topic: SuperLux Stereo mics ...  (Read 23141 times)

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Offline Miles

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Re: SuperLux Stereo mics ...
« Reply #30 on: February 18, 2013, 03:11:57 PM »
Here's the manual for the E524D

Offline F.O.Bean

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Re: SuperLux Stereo mics ...
« Reply #31 on: February 19, 2013, 02:02:30 PM »
Looks interesting. Same concept/design as the rode nt4
Schoeps MK 4V & MK 41V ->
Schoeps 250|0 KCY's (x2) ->
Naiant +60v|Low Noise PFA's (x2) ->
DarkTrain Right Angle Stubby XLR's (x3) ->
Sound Devices MixPre-6 & MixPre-3

http://www.archive.org/bookmarks/diskobean
http://www.archive.org/bookmarks/Bean420
http://bt.etree.org/mytorrents.php
http://www.mediafire.com/folder/j9eu80jpuaubz/Recordings

Offline TSNéa

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Re: SuperLux Stereo mics ...
« Reply #32 on: February 19, 2013, 07:35:09 PM »

Offline Miles

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Re: SuperLux Stereo mics ...
« Reply #33 on: February 20, 2013, 04:25:47 AM »
Yes, I was considering the AT2022, as well. It's still twice the price of the Superlux, here in the UK....  Would be nice to hear a comparison between them....

Offline ScoobieKW

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Re: SuperLux Stereo mics ...
« Reply #34 on: February 20, 2013, 11:07:59 AM »
Miles, Being an XY mic, the E524D will be more suited for close micing, Two separate mics can give you more placement options and patterns, in exchange for a bit more complexity.

I too am curious to hear how it sounds.
Busman BSC1, AT853 (O,C),KAM i2 Chuck Mod (C), Nak 300 (C),
M10, UA-5, US-1800, Presonus Firepod

http://kennedy-williams.net/scoobiesnax/

Offline Miles

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Re: SuperLux Stereo mics ...
« Reply #35 on: February 20, 2013, 04:04:26 PM »
Thanks Scoobie.

Most of the recording I'll be doing will be within 2 metres of source.

For separates, the Superlux S241 seem quite suitable?  How would I power them,  though? Is there a pass through unit for adding phantom power?

Offline Miles

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Re: SuperLux Stereo mics ...
« Reply #36 on: February 20, 2013, 04:34:14 PM »

Offline ScoobieKW

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Re: SuperLux Stereo mics ...
« Reply #37 on: February 20, 2013, 04:39:04 PM »
Is there a pass through unit for adding phantom power?
These? http://www.denecke.com/Products/Audio%20Accessories/audioaccessories.htm

I use the Denecke PS-2 (P48 for two mics) Then you need to have an adapter cable built to convert from balanced to unbalanced audio. Some modify the PS-2 output cable itself.

Mics > Denecke PS-2 > M10 is my main rig.
Busman BSC1, AT853 (O,C),KAM i2 Chuck Mod (C), Nak 300 (C),
M10, UA-5, US-1800, Presonus Firepod

http://kennedy-williams.net/scoobiesnax/

Offline Miles

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Re: SuperLux Stereo mics ...
« Reply #38 on: February 20, 2013, 05:06:54 PM »
Thanks.  I'll give this approach some more thought......

Offline kasu64

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Re: SuperLux Stereo mics ...
« Reply #39 on: April 01, 2018, 08:23:09 AM »
Hi all Tapers,

I am using (with others mics)

the cheap (but great) Superlux S502.

You can hear some audios I made with it
for some Belharra Trio Live concerts (Classical Music)

http://bit.ly/belharratrio

or directly :
http://belharratrio.wixsite.com/belharratrio/audios

Recorder was a Zoom F8 (1 concert),
then now, a Sound Devices 788T (all others concerts with
Ortf Mic and MidSide Mic togethers to make a choice after concert...).

These records are left without any Post Production.

Good listening

Kasu64
><((((°> <°))))><            SD-722 Sample : https://archive.org/details/Damaris2015-07-31.Damaris-Concert_Collegiale_Bayonne_FR_Beltran_Pagola_Sonata
Maite dut Euskal Herria  Zoom-F8 Live records at "audio" : http://belharratrio.wix.com/belharratrio    
Le Pays Basque, J'aime !    SD-788T, Mics : Sennheiser = MKE 2002 "Artificial head", Blumlein-M/S : SP-LSD2, Ortf : Superlux S502
Debian 9.0 Stretch 64bits   Visit : http://belharratrio.wix.com/belharratrio  and   https://eobiarritz.wixsite.com/eobiarritz/presentation

 

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