If you're recording in stereo with a coincident or closely-spaced pair, a close match is quite important. The closer your microphones are placed to one another, the more the accuracy of the overall stereo pickup depends on their having well-matched characteristics--and that includes more than just the on-axis response that these graphs show in a highly smoothed fashion.
The thing is, unfortunately, one of your capsules (the one in the lower graph) has distinctly less bass than the other one--and that same capsule also has a tipped-up midrange (which is crucial), and somewhat more elevated high-frequency response.
I wouldn't be happy with this pair for coincident or closely-spaced stereo recording. For ordinary studio use as single mikes, though, they'd be fine, I'm sure. Each microphone has a response curve that would be useful for certain preferances and situations--just not the situation where you need them to both have the same response to the extent possible, which is more of an issue for recording with just two "overall" or "main" mikes than it is for most other applications.
--best regards