Become a Site Supporter and Never see Ads again!

Author Topic: Betty Cantor-Jackson Soundboards  (Read 8991 times)

0 Members and 1 Guest are viewing this topic.

Offline Bri

  • Complaint Dept.
  • Trade Count: (0)
  • Needs to get out more...
  • *****
  • Posts: 3226
  • Gender: Male
  • There is nothing you can hold, for very long.
Betty Cantor-Jackson Soundboards
« on: October 07, 2002, 10:38:08 AM »
The Betty Boards
This is a VERY large page, please be patient while downloading.

All of this information has been used without permission and is for informational purposes only, this is not a trading list or listing of current trees. This is for historical background on certain tapes currently in circulation. The original names and email addresses have been removed to protect the original participants. All of this material comes from other web pages, it is here to allow added and continuing access to for interested collectors and archivists.

 

List of "all known Betty boards" as posted on Terrapin Station BBS in Darion CT (no longer on-line).

What's Become of The Betty Boards release schedule.

Known recording lineages of tapes available in circulation

The Initial WBOTB post

Copies of the first few WBOTB posts to rec.music.gdead.

The original DAT WBOTB by tape #.

What's Become of the Bettys?

 



This is a list of all known "Betty boards" as posted on Terrapin Station BBS
in Darion CT (no longer on-line).

Betty Cantor-Jackson Soundboards

Grateful Dead
02.18.71 The Capitol Theater, Port Chester, New York
02.19.71 The Capitol Theater, Port Chester, New York
02.20.71 The Capitol Theater, Port Chester, New York
02.21.71 The Capitol Theater, Port Chester, New York
02.23.71 The Capitol Theater, Port Chester, New York
02.24.71 The Capitol Theater, Port Chester, New York
04.05.71 Manhattan Center, New York City (End Of 2nd Set Only)
04.06.71 Manhattan Center, New York City
04.07.71 Boston Music Hall, Boston, Massachusetts
04.08.71 Boston Music Hall, Boston, Massachusetts
12.14.71 The Hill Auditorium, Ann Arbor, Michigan
05.04.72 The Olympia Theater, Paris, France
08.21.72 Berkeley Community Theater, Berkeley, California
08.22.72 Berkeley Community Theater, Berkeley, California
08.25.72 Berkeley Community Theater, Berkeley, California
08.27.72 Old Renaissance Faire Ground, Veneta, Oregon
03.16.73 Nassau Coliseum, Uniondale, Long Island, New York
03.21.73 Memorial Auditorium, Utica, New York
03.22.73 Memorial Auditorium, Utica, New York
03.24.73 Spectrum Arena, Philadelphia, Pennsylvania
05.26.73 Kezar Stadium, San Francisco, California
06.22.73 Pacific High Exhibition Coliseum, Vancouver, B.C.
ca. Aug-early Sep 'WAKE OF THE FLOOD Studio Out-takes, San Rafael, CA
circa 1975 'REFLECTIONS' Studio Out-takes
06.10.76 The Boston Music Hall, Boston, Massachusetts
06.11.76 The Boston Music Hall, Boston, Massachusetts
06.14.76 The Beacon Theater, New York City
06.15.76 The Beacon Theater, New York City
06.29.76 The Auditorium Theatre, Chicago, Illinois
ca. Early 1977 Side Two Of 'TERRAPIN STATION'
02.26.77 The Swing Auditorium, San Bernadino, California
05.05.77 New Haven Coliseum, New Haven, Connecticut
05.07.77 Boston Gardens, Boston, Massachusetts
05.08.77 Barton Hall, Cornell University, Ithaca, New York
05.09.77 War Memorial Auditorium, Buffalo, New York
09.29.77 The Paramount Theater, Seattle, Washington
10.02.77 The Paramount Theater, Portland, Oregon
10.28.77 Soldiers & Sailors Memorial Hall, Kansas City, Missouri
10.29.77 Field House, Northern Illinois University, Dekalb, Illinois
10.30.77 Assembly Hall, Indiana University, Bloomington, Indiana
11.01.77 Cobo Hall, Detroit, Michigan
11.05.77 War Memorial, Rochester, New York (End Of Show)
11.06.77 Broome County Arena, Binghamton, New York
04.07.78 Hollywood Sportatorium, Hollywood, Florida
04.10.78 The Fox Theater, Atlanta, Georgia
04.11.78 The Fox Theater, Atlanta, Georgia
04.12.78 Cameroon Indoor Stadium, Duke University, Durham, North Carolina
04.14.78 Coliseum, Virginia Polytechnic, Blacksburg, Virginia
04.15.78 William And Mary College, Williamsburg, Virginia
07.07.78 Red Rocks Amphitheater, Morrison, Colorado
07.08.78 Red Rocks Amphitheater, Morrison, Colorado
10.18.78 Winterland, San Francisco, California ("From Egypt With Love")
04.22.79 Spartan Stadium, San Jose, California

Jerry Garcia Band
10.11.75 The Keystone, Berkeley, California (Second Set) (w/Nicky Hopkins
10.17.75 Concorde Pavilion, Concord, California (w/Nicky Hopkins)
12.17.75 The Keystone, Berkeley, California (w/Nicky Hopkins)
07.20.76 The Keystone, Berkeley, California
09.18.81 (Location Uncertain) (Rehearsal or Soundcheck) (The Jerry Garcia

Jerry Garcia
circa 1975 'REFLECTIONS' Studio Out-takes

Legion Of Mary
11.27.74 The Keystone, Berkeley, California
11.28.74 The Great American Music Hall, San Francisco, California
Various 1975 From 3.22, 5.22, 6.21, & 6.22.75 Keystone (except 3.22 - locatio

Reconstruction
03.07.79 Rancho Nicasio, San Rafael, California
03.08.79 Cotati Cabaret, Cotati, California
03.09.79 Cotati Cabaret, Cotati, California
04.08.79 Cotati Cabaret, Cotati, California
06.16.79 Keystone Palo Alto, Palo Alto, California
06.22.79 The Keystone, Berkeley, California
07.08.79 The Keystone, Berkeley, California

Garcia & Saunders
01.15.73 The Inn Of The Beginning, Cotati, California (w/Unidentified Fema
01.24.73 The Boarding House, San Francisco, California
07.10.73 The Keystone, Berkeley, California
07.11.73 The Keystone, Berkeley, California

Garcia, Saunders, &
06.04.74 The Lion's Share, San Anselmo, California (w/Unidentified Female
07.21.74 The Keystone, Berkeley, California (The Grateful Dead Played The
07.22.74 The Keystone, Berkeley, California
09.02.74 Marx Meadows, Golden Gate Park, San Francisco, California

Keith & Donna Band
08.20.75 The Great American Music Hall, San Francisco, California

Kingfish
10.17.75 Concorde Pavilion, Concord, California (Also See...The Jerry Garc
Date/Location Unknown

New Riders
12.02.71 The Boston Music Hall, Boston Massachusetts
12.04.71 The Felt Forum, New York City (w/Jerry Garcia ?)
12.07.71 The Felt Forum, New York City (w/Jerry Garcia ?)
12.10.71 The Fox Theater, St. Louis, Missouri (w/Jerry Garcia ?)
12.15.71 The Hill Auditorium, Ann Arbor, Michigan
05.26.72 The Strand Lyceum, London, England
03.08.73 Berkeley Community Theater, Berkeley, California
03.30.73 Community War Memorial, Rochester, New York
04.02.73 Boston Garden, Boston, Massachusetts
Date/Location Unkno(Probably 1973)

Hot Tuna
10.02.73 Winterland, San Francisco, California

Jefferson Starship
11.24.74 Winterland, San Francisco, California

Sons Of Champlin
12.03.72 Winterland, San Francisco, California


WBOTB
This is the list of Betty boards that were scheduled to be redistributed
under the What's Become of The Betty Boards moniker. The purpose was to
get them back into circulation with known lineages. They DAT masters
were to be made from the first generation PCMs, and in most cases decoding
any Dolby NR.

Grateful Dead
02.18.71 Portchester, NY, whole show, Dolby A decoded
02.19.71 Portchester, NY, whole show, Dolby A *not* decoded
02.20.71 Portchester, NY, whole show, Dolby A decoded
02.21.71 Portchester, NY, whole show, Dolby A decoded
02.23.71 Portchester, NY, whole show, Dolby A decoded
02.24.71 Portchester, NY, whole show, Dolby A decoded
04.05.71 Manhatten Center, whole show, Dolby A decoded
04.06.71 Manhatten Center, whole show, Dolby A decoded
04.07.71 Boston Music Hall, whole show, Dolby A *not* decoded
04.08.71 Boston Music Hall, whole show, Dolby A decoded
12.14.71 Ann Arbor, MI, whole show
05.04.72 Paris, Fr, 1st set only
05.07.72 Bickershaw Festival, Other One to end of show
08.21.72 Berkeley, CA, 2nd set only
08.22.72 Berkeley, CA, 2nd set only
08.25.72 Berkeley, CA, 1st 45 minutes only
08.27.72 Veneta, OR, beginning of show through most of Dark Star
03.16.73 Nassau Coliseum, 1st set through middle of Playing, beg. of Dew to end
03.21.73 Utica, NY, whole show, water damage on tapes causes some distortion
03.22.73 Utica, NY, 1st set plus very end of Other One to end
03.24.73 Philadelphia, PA, Bobby McGee to end of show
03.28.73 Springfield, MA, WRS Prelude to end of show
05.26.73 Kezar Stadium, whole show
06.22.73 Vancouver, BC, beg. of show through most of Other One
08.00.73 Wake of the Flood outtakes
06.10.76 Boston Music Hall, whole show
06.11.76 Boston Music Hall, whole show
06.14.76 Beacon Theater, whole show
06.15.76 Beacon Theater, whole show
various parts of the above four shows, intercuts
06.29.76 Chicago, Ill, whole show
02.26.77 San Bernadino, CA, whole show, DBX type I decoded
05.05.77 New Haven, Conn, whole show, DBX type I decoded
05.07.77 Boston Gardens, whole show, DBX type I decoded
05.08.77 Ithaca,NY, whole show, DBX type I decoded
05.09.77 Buffalo, NY, whole show, DBXtype I decoded
09.28.77 Seattle, Wash, middle of Jack Straw to end of show, DBX type I decoded
09.29.77 Seattle, Wash, whole show, DBX type I decoded
10.01.77 Portland, Ore, whole show, DBX type I decoded
10.02.77 Portland, Ore, whole show, DBX type I decoded
04.06.78 Tampa, Fla, Good Lovin through end of show
04.07.78 Hollywood, Fla, whole show
04.08.78 Jacksonville, Fla, whole show
04.10.78 Atlanta, GA, whole show
04.11.78 Atlanta, GA, whole show
04.12.78 Duke University, whole show
04.14.78 Virginia Tech, whole show
04.15.78 William & Mary College, whole show
04.16.78 Huntington, WVa, whole show
07.07.78 Red Rocks, whole show
07.08.78 Red Rocks, whole show
12.31.78 Winterland, Me and My Uncle through end of show
04.22.79 San Jose, CA, middle of Estimated through middle of Around & Around
09.27.80 Warfield Theater, Acoustic set
10.04.80 Warfield Theater, Acoustic set
10.06.80 Warfield Theater, Acoustic set
10.09.80 Warfield Theater, Acoustic set, and 1st 45 min of 1st set
10.10.80 Warfield Theater, Acoustic set
10.11.80 Warfield Theater, Acoustic set
10.13.80 Warfield Theater, Acoustic set

Jerry Garcia Band
10.11.75 Concord Pavillion, 2nd set
10.17.75 Keystone Berkeley, 2nd set

Hot Tuna
10.02.73 Winterland, whole show

Loggins and Messina
06.30.72 Kansas City, MO, whole show

Jefferson Starship
11.24.74 Winterland, whole show (with entire Blows Against the Empire suite)

Sons of Champlin
12.31.72 Winterland, whole show

Blues Brothers
12.31.78 Winterland, whole show


Known recording lineages of tapes available in circulation

Grateful Dead
00 00 69 Pig Pen solo project (2 songs) 5 SB>Reels>DAT
With 2.18.71, this is all that is available from these sessions
2 18 71 Capitol Theatre, Port Chester NY 158
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz
PCM501ES analog out > dolby A decoder > Apogee filter > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz
2 19 71 Capitol Theatre, Port Chester NY 166
WBOTB: 7" 2-track BBD reel w/Dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz (dolby *not* decoded)
2 20 71 Capitol Theatre, Port Chester NY 157
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48 kHz
FostexD5 > Fostex D5
2 21 71 Capitol Theatre, Port Chester NY 170
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz
2 23 71 Capitol Theatre, Port Chester NY 172
WBOTB: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz
2 24 71 Capitol Theatre, Port Chester NY 137
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz
4 5 71 Manhattan Center, New York NY 176
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi)
PCM501ES analog out > Fostex D5 @ 48 kHz
4 6 71 Manhattan Center, New York NY 157
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz
4 7 71 Boston Music Hall, Boston MA 97 (all)
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz (dolby *not* decoded)
4 8 71 Boston Music Hall, Boston MA 164
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz
12 14 71 Hill Auditorium, Ann Arbor MI 177
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

5 4 72 Olympia Theatre, Paris France 88 1
SB>7" Master Reels @ 7.5 IPS>PCM 501ES (Beta HiFi)>
PCM501ES analog out > Fostex D5 analog in 48 kHz
(with 5.26.73 set 3) (Greatest Story thru Two Souls)
5 7 72 Bickershaw Festival, Wigan, England 75 2p
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
...Other One > end
Togather with 4.22.79, Terrapin & 8.27.72IIIb
8 21 72 Berkeley Community Theatre, Berkeley CA 91 1p2
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Set 1: ...Casey Jones, Set 2: all
Togather with 8.22.72a
8 22 72 Berkeley Community Theatre, Berkeley CA 105 2
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
part a with 8.21.72, part b with 8.25.72, 6.22.73 & 6.14.76
8 25 72 Berkeley Community Theatre, Berkeley CA 46 all?
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Togather with 8.22.72b, 6.22.73 & 6.14.76
8 27 72 Veneta OR 203
Sets 1&2 are:
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Set 3 is not from Betty board (but is a *different* source
than the one above that was treed on r.m.gdead in June '94?):
WBOTB: Vault SBD, not Betty Board, exact pedigree unknown
IIIb togather with 5.7.72, 4.22.79, Terrapin
3 16 73 Nassau Coliseum, Uniondale NY 120
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Set 1 thru start of Playin', Set 2 from start of Morning Dew
thru Sugar Magnolia
3 21 73 Memorial Auditorium, Utica NY 233 all
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
3 22 73 Memorial Auditorium, Utica NY 127 1,2p
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Set 1: all, Set 2: ...Other One > end
with 10.9.80e1
3 24 73 The Spectrum, Philadelphia PA 148
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
part of set 1, all of 2 - (x)HCS thru end of show
3 28 73 Civic Center, Springfield MA 67 2p
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
WRS thru end of show
5 26 73 Kezar Stadium, San Francisco CA (44.1) 236 SB>Reels>PCM>DAT
(I-122 min, II-114 min)
5 26 73 Kezar Stadium, San Francisco CA 249
(Set 3 is with 5.4.72)
6 22 73 PNE Coliseum, Vancouver British Columbia 223
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
(end of set 2 with 8.22.72b, 8.25.72 & 6.14.76)
8 xx 73 Wake Of The Flood Outtakes 69 SB>PCM>DAT
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
(with 4.7.71)
6 14 76 Beacon Theatre, New York, NY 45
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Togather with 8.22.72b, 8.25.72 & 6.22.73
6 15 76 Beacon Theatre, New York, NY 180
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
6 29 76 Auditorium Theatre, Chicago IL 183
WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog
out > DBX type I decoder > analog in PCM501ES analog out >
PCM501ES analog out > Fostex D5 DAT at 48 kHz
(inludes interleave reel parts)
00 00 77 Terrapin Station 17
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Clone of the master reels - side 2 of the album
Togather with 5.7.72, 4.22.79 & 8.27.72IIIb
2 26 77 Swing Auditorium, San Bernadino CA 170
WBOTB: SB>7" Master Reels @ 7.5 IPS>PCM 501ES (Beta HiFi)>
PCM501ES analog out > Fostex D5 analog in 48 kHz
5 5 77 Veteran's Coliseum, New Haven CT 176
WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out >
DBX type I decoder > analog in PCM501ES analog out > PCM501ES
analog out > Fostex D5 DAT at 48 kHz
5 7 77 Boston Garden, Boston MA 184
WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out >
DBX type I decoder > analog in PCM501ES analog out > PCM501ES
analog out > Fostex D5 DAT at 48 kHz
(encore with 4.10.78)
5 8 77 Barton Hall, Cornell Univ., Ithaca NY 180
WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out >
DBX type I decoder > analog in PCM501ES analog out > PCM501ES
analog out > Fostex D5 DAT at 48 kHz
5 9 77 War Memorial, Buffalo NY 178
WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out >
DBX type I decoder > analog in PCM501ES analog out > PCM501ES
analog out > Fostex D5 DAT at 48 kHz
4 22 79 Spartan Stadium, San Jose CA 48 2p
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
...He's Gone > Around & Around (Brent's first show)
Togather with 5.7.72, Terrapin & 8.27.72IIIb
10 9 80 Warfield Theatre, San Francisco CA 47 e1p
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Stranger > Brown Eyed Women(x)
With 3.22.73

The original DAT WBOTB by tape #

Each tape is a 90 meter tape as follows:
Tape #1 - 2 18 71 all
xx xx 69 Pigpen solo project outtakes (2 songs)
Tape #2 - 2 19 71 all
Tape, most folks have never really heard a Betty Board. Until recently, that included me.

These tapes are great folks. You don't just get to hear the clang and hiss of a cymbal, but to hear the wood striking the metal disk, the clang and shake and wobble of the hissing cymbal. Believe me friends, you ain't never heard a Betty Board before.

These tapes, although based on two track reels spun directly from the soundboard, should not be confused with soundboards that have been released in recent years. For one thing, many of the soundboards that the Dead have allowed to sneak out seem to have been slightly salted in one way or another to degrade the sound quality. These Betty Board tapes are pure and sweet, with no salting: they are better! For another thing, these Betty Boards reflect the limitations of working with 7" or 10" reel to reel tapes: sometimes a tape breaks off in the middle of a song; sometimes you can hear the tape spin up to speed at the beginning of a song. There are a few unpleasant reel flips here and there. There are several incomplete shows. Remember, these tapes were originally recorded many years ago by hippies on drugs!

Over the next several months, there will be twenty or so people posting tape trees and/or tape pyramids of these Betty Boards right here on rec.music.gdead. Some DAT trees. Some analog trees. Some newbies trees. Some oldies trees. Some mixed. Some swaps. Some blanks & postage. Some European. There are also several face-to-face trees up and running. Our point is to make hi-quality copies of these shows available to regular old Bozos and Bolos like you and me. No authoritarian trips. No hierarchy. In fact, little hierarchy at all. Friends are spinning copies for friends. We offer them to the community. Y'all come!

We'll be calling it the "What's Become of the Betty's" tree.

The postings should begin to appear shortly. We'll be going in chronological order, beginning with the 1971 shows. Eventually we'll even make it to 5-08-77 (tm) and beyond. Which shows? Well, you'll know that when we start posting. Let's keep this fun. You just won't know what's under the tree until Christmas morning. Nothin' left to do but smile, smile, smile.

I'm making this initial announcement through an anonymous account mostly because I don't want to be deluged with email. There are several of us whose main part of the tree is spinning seed for friends who will do the actual treeing. I'm one of the seed-spinners. My decks are *full* for the next seven months, which is how long it will take us to tree these tapes.

Wait for the posts. It won't be long.

Posted on behalf of "The Unindicted Co-Conspirators,"

xx

and

xx



--------------------------------------------------------------------------------


Here's a post that xx made a few days into the WBOTB project. Someone on r.m.gd attacked us for spinning low-gen tapes for newbies, arguing instead that only experienced tapes should get low-gen tapes and that newbies should be content high-gen tapes. Yup, the poster considered himself to be an "experienced taper" and he figured that the newbie slots that we included on every tree somehow prevented him from getting what we owed him. There were a lot of people who really hated us for getting low-gen tapes to newbies; they liked the hierarchy, and the ability to use low-gen tapes for leveraged trades. My response was to make the following "free tapes" offer to newbies.

Date: Fri, 24 May 1996
From: xx
Newsgroups: rec.music.gdead
Subject: What's Become of the Betty's, 02-18-71 Pentecost Newbie offer
Hi folks,

May 26th is Pentecost Sunday, and it's time to make another newbie offer.

I will spin analog cassette copies of the Port Chester, NY, 02-18-71 show for five newbies. Although I hope that you will offer to spin for five morepeople, there is no requirement that you do so. In fact, you don't even have to send me blanks and postage; I'll spin the shows on Maxell XLII tapes and cover the first class postage on my end. I'll even print up J-cards with set lists and tape pedigree.

To give people with slow newsfeeds and digests a chance, I will only consider email requests that are *sent* between noon and six pm on Pentecost Sunday, May 26th. Shortly after sunset I will pick five people more or less randomly.

Since there will probably be more than five requests :) I will only respond to people who get picked. If you don't hear from me by Monday morning, you didn't get picked. Don't worry though, there will be plenty tree and pyramid offers of this show during the coming weeks.

These tapes are part of the current Betty Board project, and they're really sweet sounding. Your copy will be cassette-2. Their pedigree is:

7" Betty Board reel (probably Betty's copy, not a master tape) > PCM-1
PCM-1 analog output > dolby A decoder > analog input PCM-2
PCM-2 analog output (to increase volume level from -20db to 0db) > DAT-1
DAT-1 > Cassette-1 Cassette-1 > cassette-2 (your tape)
Tape One: 90 minutes

A:
Bertha (first one)
Truckin'
It Hurts Me Too
Loser (first one)
Greatest
Story (first one) >
Johnny B. Goode (first one)
Mama Tried
B:
Hard to Handle
Dark Star >
Warf Rat (first one) >
Jam (similar to 06-24-70) >
Dark Star >
Me and My Uncle
Tape Two: 90 minutes

A:
Casey Jones
Playin' in the Band (first one)
Me and Bobby McGee
Candyman
Big Boss Man
Sugar Magnolia
B:
St. Stephen (reel change in middle) >
Not Fade Away >
Goin Down the Road Feelin' Bad >
Not Fade Away >
Uncle John's Band
Well, that's the offer my friends. As we have received, so might we give.

Have a blessed Pentecost!

xx



--------------------------------------------------------------------------------


Date: Tue, 28 May 1996
From: xx
Newsgroups: rec.music.gdead
Subject: BETTY BOARDS: Watch This Space (2) ...
Hey now folks,

Pay no attention to that man behind the curtain ...

The next batch of the "What's Become of the Betty's" project will be appearing here shortly. Several people are going to be offering trees and pyramids, so don't get all cranked if you don't get picked up by the first offer. There will be plenty of chances. Also, there will still be lo-gen analog and DAT trees of the first batch turning up over the next few weeks. Patience! This project is just beginning. If you missed out on the first wave, worry not; there will be plenty of others.

A reminder too: let's keep the fun in this, making it an adventure to find and share some sweet music rather than a shopping trip to tank up on your share of the entitlements. See Matthew 10:8 for clarification.

Now for a few other notes:

The batch of Betty Boards that we are working with on this project derives from the only complete set of PCM copies ever made *directly* *from* the original Betty Board 7" and 10" reels. Most of the other tapes in circulation derive from Beta HiFi, Reel to Reel, or other analog formats. Further, about 25% of the Betty Board reels were encoded with either Dolby A or dbx, and most Betty Boards in circulation are not decoded. Except for two shows (02-19-71 and 04-07-71), all of the NR encoded Betty Boards that will appear in the "What's Become of the Betty's" project *have* been decoded and have had the noise reduction *removed* using professional equipment. That's another reason why these tapes are so crisp and clear.

Then again, a couple of folks have said that these tapes don't live up to all the hype. Well, no one is forced to sign up for tapes.

Watch this space ...

Posted on behalf of "The Unindicted Co-Conspirators,"

xx

and

xx



--------------------------------------------------------------------------------


Here's a note that I sent out to the WBOTB folks about midway through the second batch.

Date: Thu, 6 Jun 1996
From:xx
To: The Unindicted Co-Conspirators
Subject: Note on BBD's
Hi folks,

I've been talking with our source on these BBD's, and thought of passing on something that I took for granted, but never really mentioned cause I assumed (bad idea) that everyone knew it. As pretty as the Betty Boards are, we gotta remember that they are not the band's tapes of these shows, but the *crew's* tapes. They were tapes that Rex Jackson, Kid Candelario, Betty Cantor, and others spun on two track reels and on 60 minutes cassettes (we don't have any of these latter). Although patched into the soundboard, these are not what tapers generally call soundboards, that is, they do not derive from the 16 track tapes that were cut for live albums, nor do they necessarily derive from the two track reference tapes that were spun most nights for the band to listen to. There will be a lot of tapers out there who actually have better quality soundboard tapes of these shows, and you have to remember that the soundboards are not the same thing as the Betty Boards, at least not necessarily.

4-08-71 is a tape in point. There is all sorts of stage talk and crew talk on that show, very low volume in most places, but a bit of it. Crank up the volume and listen in right before Playin, before Loser before BIODTL, or before Casey Jones. The crew were very stoned that night, and they left some of the mics on during the show and these got patched into the Betty Board. I particularly enjoy the "YOU put on the fucking headphones" bit before Casey Jones. We don't just get to be touched by the music, we get to touched by that very night. :)

I love this stuff, but it might be disconcerting to a lot of folks. We gotta let them know that these are Betty Boards; 7" and 10" reels of the *crew's* tapes that Betty had abandoned to rot in a storage locker. They were rescued from destruction (mostly, wait until you hear March 73!), and some of them only barely made it.

Peace & joyful laughter,

xx



--------------------------------------------------------------------------------


The WBOTB project includes cassette and DAT and VHS-hifi tape and CD trees all over the world: Scotland, England, Wales, Germany, Australia, Thailand, Israel, etc. One of our tree admins in Japan got into trouble with his sysop about tape trees, and that sparked a thread on r.m.gd about the legality of trading or tree ing these tapes. Our source for these tapes, as well as couple of people close to the Grateful Dead organization, cautioned us about attracting too much attention to the Betty Boards, reminding us all that in past years the Grateful Dead organization had sent out evil SOB lawyers to mess with people. Here's a caveat that I sent out to the WBOTB folks:

Date: Wed, 26 Jun 1996
From:xx
To: The Unindicted Co-Conspirators
Subject: Operation low profile

Hi Folks (including the kind souls in Japan),
Our source for these Betty Boards has asked us not to get involved in any sort of a legality thread on r.m.gdead or elsewhere about swapping Betty Boards. A sysop in Japan is giving one of our fellow tapers a bit of a hassle about the legality of trading GD tapes that contain covers of other people's music. The last thing we need to do is to get the attention of the GD corporate structure. The GD are still *very* aggressive about the Betty Boards, and still consider them to be somewhat outside the pale of normal taper activity.

Peace & happy spinning,

xx



--------------------------------------------------------------------------------


Here's the third WBOTB posting, including caveats about some of the damaged 1973 BBD tapes:

Date: Thu, 5 Sep 1996 02:02:23 -0400
From: xx
Newsgroups: rec.music.gdead
Subject: Betty Boards - Watch This Space Again

Well folks, The Unindicted Co-Conspirators are about to start offering up another round of Betty Boards as part of the What's Become of the Betty's project.

For this batch of tapes, we're finishing up 1971, 1972, and getting into 1973. For various reasons, we've dubbed these BBD's "the batch from hell," partially because there are a lot of incomplete shows, but partially because several of the March 1973 reels suffered mold and water damage while in the storage locker, and there is distortion on some vocals and some peaks. As these shows are offered, we will include descriptions of which shows are damaged, and how they sound. CAVEAT EMPTOR!

DAT: Mostly we'll be offering the DAT trees on the BUDD and DAT-Heads mailing lists. To subscribe to the BUDD list, send mail to Majordomo@io.com with the following command in the message body: subscribe budd <your email address> To subscribe to DAT-Heads, send mail to dat-heads-request@virginia.edu with the following command in the message body: subscribe dat-heads <your email address>

The DAT trees will be a bit more hierarchical, and the r.m.gd offers a bit more anarchistic, as with previous offers. This allows us to plant DAT-2 seed all over the country over on BUDD and DAT-Heads, and allows us to keep things loose and fun on right here on r.m.gd. And believe me folks, we've gotta loosen up a bit here on good old r.m.gd ...

As regards analog cassettes, there will be general offers, as well as offers that are specific to European or Asian deadheads. There will be trees, pyramids, and all sorts of variations in-between. Several people are going to be offering these tapes under the WBOTB moniker, and they will be doing so for months, so don't get all cranked if you don't get picked up by the first offer.

A reminder too: let's keep the fun in this, making it an adventure to find and share some sweet music rather than a shopping trip to tank up on your share of the entitlements.

And speaking of anarchy, here's a reworking of a fine old Wobbly song that was originally written by Joe Hill, everyone's favorite Wobbly.

There's a power, there's a power,
In a batch of Betty Boards,
When you hold them in your hands.
That's a power, that's a power,
That must sound for every man,
In one hundred tape-trees grand.
Posted on behalf of "The Unindicted Co-Conspirators,"

xx

and

xx




What's Become of the Bettys?

Here is a description of the Betty Board tapes that were (or will be) treed in the What's Become Of The Bettys? tape tree project by the Unindicted Co-Conspirators: Jace Crouch, Ernie Kelley, Tim Deibert, Rob Battaly, Rick Rodrigues, Eliot Gelwan, Bob Loewenthal, Debbie Collmer, Thayer Jennings, John Dodsworth, Steve Nichols, Mark Schaeffer, and Jeff Tiedrich. Jace's DAT source tapes came from one of the participants in the original Betty Board project, a decent fellow from the west coast who wishes to remain anonymous. A detailed description of the pedigree of each tape is included for those who care about such things. The DAT copies distributed by Ernie Kelley and Jeff Tiedrich (and their branches) were direct clones of Jace's tapes, which were vined through several people on the east coast and the midwest in the years 1996 through 1999. Vining these DAT tapes took quite a bit of time, and at least one source tape was destroyed in the process, but this vining allowed all of Ernie and Jeff's branches to have clones of Jace's source tapes. The WBOTB CD project started up in 1999, so you should keep a look outfor WBOTB CD tree offers on r.m.gd and elsewhere.

All of the WBOTB folks offer our heartfelt thanks to the anonymous source for these splendid tapes. Well done guy!

The Tapes: 1971, 1972, 1973, 1976, 1977, 1978, 1979, 1980

02-18-1971, Port Chester, NY
Complete show
Dolby A decoded
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > Apogee filter > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz

02-19-1971, Port Chester, NY
Complete show
Dolby A not decoded
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz (dolby not decoded)

02-20-1971, Port Chester, NY
Complete show
Dolby A decoded
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D2
7" two track BBD reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48 kHz
Fostex D5 > Fostex D5

02-21-1971, Port Chester, NY
Complete show
Dolby A decoded
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz

02-23-1971, Port Chester, NY
Complete show
Dolby A decoded
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz

02-24-1971, Port Chester, NYC
Complete show
Dolby A decoded
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz

04-05-1971, Manhattan Center, NYC
Complete show
Dolby A decoded
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz

04-06-1971, Manhattan Center, NYC
Complete show
Dolby A decoded
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz

04-07-1971, Boston Music Hall
Complete show
Dolby A not decoded
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
7" two track BBD reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz (dolby not decoded)

04-08-1971, Boston Music Hall
Complete show
Dolby A decoded
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz

12-14-1971, Hill Auditorium, Ann Arbor, MI
Complete show
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

05-04-1972, Paris, France
First Set only
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

05-07-1972, Bickershaw Festival, Wigan, England
Other One to end of show
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

08-21-1972, Berkeley Community Theater
Second Set only
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
10" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

08-22-1972, Berkeley Community Theater
Second Set only
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
10" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

08-25-1972, Berkeley Community Theater
1st 45 minutes of show only
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
10" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

08-27-1972, Veneta, OR
Set One and Set Two (set three is SBD of unknown pedigree)
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape for sets one and two: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Jace's source tape for set three: MR>D?
Soundboard (not Betty Board) of unknown pedigree

03-16-1973, Nassau Coliseum, Uniondale, NY
Set one through middle of Playin'
Middle reel of show unplayable due to water damage
Set two from beginning of Dew to end
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
10" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

03-21-1973, Memorial Auditoreum, Utica, NY
Complete show
Mold and water damage on original reels causes distortion throughout
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
10" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

03-22-1973, Memorial Auditorium, Utica, NY
First set, plus very end of Other One to end of show
Mold and water damage on original reels causes distortion throughout
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
10" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

03-24-1973, Spectrum, Philadelphia, PA
Middle of HC Sunshine to end of show
Mold and water damage on original reels causes distortion on peaks
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
10" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

03-28-1973, Springfield, MA
WRS to end of show
Mold and water damage on original reels causes distortion on peaks
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
10" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

05-26-1973, Kezar Stadium, San Francisco, CA
Complete show
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

06-22-1973, Vancouver, British Columbia, Canada
Beginning of show through most of Other One
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

08/00/73, Wake of the Flood Outtakes
DAT vine/tree by WBOTB in 1996
Cassette tree by WBOTB in 1996
Jace's source tape: MR>P1>D17"
two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

06-10-76, Boston Music Hall
Complete show
Gaps from reel changes reassembled from interleave reels by David Gans
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1997
Jace's source tape: MR>P1>D2
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM > Sonic Solutions > DAT-1
Fostex D5 > Fostex D5

06-14-1976, Beacon Theater, New York
45 minutes of second set
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D2
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM > Sonic Solutions > DAT-1
Fostex D5 > Fostex D5

06-15-76, Beacon Theater, New York, NY
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1997
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

06-29-76, Auditorium Theater, Chicago, IL
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1997
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

02-26-77, Swing Aud., San Bernardino, CA
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1997
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > DBX-1 decoder > analog in PCM501ES
PCM501ES analog out > Fostex D5 @ 48 kHz

05-05-1977, New Haven, CT
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1997
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > DBX-1 decoder > analog in PCM501ES
PCM501ES analog out > Fostex D5 @ 48 kHz

05-07-1977, Boston Garden
Complete show
DAT vine/tree by WBOTB in 1997 (encore on later vine/tree)
Cassette trees by WBOTB in 1997
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > DBX-1 decoder > analog in PCM501ES
PCM501ES analog out > Fostex D5 @ 48 kHz

05-08-1977, Barton Hall, Cornell Univ.
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1997
Jace's source tape: MR>P2>D1
7" two track BBD reelw/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > DBX-1 decoder > analog in PCM501ES
PCM501ES analog out > Fostex D5 @ 48 kHz

05-09-1977, Buffalo, NY
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1997
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > DBX-1 decoder > analog in PCM501ES
PCM501ES analog out > Fostex D5 @ 48 kHz

09-28-1977, Seattle, WA
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1997
Jace's source tape, set one to middle of Jack Straw: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Jace's source tape, rest of show: MR>P2>D1
7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > DBX-1 decoder > analog in PCM501ES
PCM501ES analog out > Fostex D5 @ 48 kHz

09-29-1977, Seattle, WA
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1997
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > DBX-1 decoder > analog in PCM501ES
PCM501ES analog out > Fostex D5 @ 48 kHz

10-01-1977, Portland, OR
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1997
CD tree by WBOTB in 1999
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > DBX-1 decoder > analog in PCM501ES
PCM501ES analog out > Fostex D5 @ 48 kHz

10-02-1977, Portland, OR
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1997
CD tree by WBOTB in 1999
Jace's source tape: MR>P2>D1
7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > DBX-1 decoder > analog in PCM501ES
PCM501ES analog out > Fostex D5 @ 48 kHz

04-06-1978, Hixon Hall, Tampa, FL
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1998
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

04-07-1978, Pembroke Pines, FL
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1998
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

04-08-1978, Jacksonville, FL
Complete show
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1998
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

04-10-1978, Fox Th., Atlanta, GA
Complete show
Not yet treed by WBOTB
DAT vine/tree by WBOTB in 1999
Cassette trees by WBOTB in 1999
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

04-11-1978, Fox Th., Atlanta, GA
Complete show
Not yet treed by WBOTB
DAT vine/tree by WBOTB in 1999
Cassette trees by WBOTB in 1999
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

04-12-1978, Duke Univ., Durham, NC
Complete show
Not yet treed by WBOTB
DAT vine/tree by WBOTB in 1999
Cassette trees by WBOTB in 1999
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

04-14-1978, Virginia Polytech., Blacksburg, VA
Complete show
Not yet treed by WBOTB
DAT vine/tree by WBOTB in 1999
Cassette trees by WBOTB in 1999
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

04-22-1979, San Jose, CA
Middle of Estimated through middle of Around & Around
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

09-27-1980, acoustic, Warfield, SF
50 minutes of acoustic set
DAT vine/tree by WBOTB in 1996
Cassette trees by WBOTB in 1996
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

10-09-1980, electric Ia, Warfield, SF
45 minutes of electric set one
DAT vine/tree by WBOTB in 1997
Cassette trees by WBOTB in 1997
Jace's source tape: MR>P1>D1
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz

First posted February 15, 1999  

 

All of this information has been used without permission and is for informational purposes only, this is not a trading list or listing of current trees. This is for historical background on certain tapes currently in circulation. The original names and email addresses have been removed to protect the original participants. All of this material comes from other web pages, it is here to allow added and continuing access to for interested collectors and archivists.
« Last Edit: October 07, 2002, 10:40:53 AM by Bri »

 

RSS | Mobile
Page created in 0.202 seconds with 27 queries.
© 2002-2014 Taperssection.com
Powered by SMF
Website Design by Foxtrot Media, Inc., a Baltimore Website Company