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Author Topic: Lectrosonics SPDR Stereo Dig Recorder  (Read 973 times)

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Offline aaronji

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Re: Lectrosonics SPDR Stereo Dig Recorder
« Reply #15 on: September 12, 2018, 04:32:33 PM »
This with a stereo pair of DPA 4060 will make a killer rig for plants, ambiance and stealth music gigs.

I had the same thought. Pretty expensive, though, between the cost of the recorder and the microdot-to-lectrosonics adapters ($100 each). I wonder how it would compare soundwise to a d:vice and iPhone setup. The d:vice route could be quite a bit cheaper, particularly if you already use an iPhone or iPod.

[Edit to add: And, of course, you get a phone or music player if you go the d:vice route!]
« Last Edit: September 12, 2018, 04:34:24 PM by aaronji »

Offline noahbickart

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Re: Lectrosonics SPDR Stereo Dig Recorder
« Reply #16 on: September 12, 2018, 04:34:25 PM »
i'm not actually interested in this at all as i recently got a mixpre-6, but i am genuinely curious (not criticizing) -- how would the lack of XLR, 1/4" or 1/8" inputs translate to what we do? the sole input being TA5M 5-pin? maybe i'm just naive, but that seems like a hindrance for concert taping. i'm actually completely unfamiliar with that type of connector as none of my gear has ever had that.

It's perfectly easy to make a dual xlr to TA5 cable.

I'd imagine that the new sonosax pre/ad> aes into this would be about as good a stealth rig as could be.
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Offline jerryfreak

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Re: Lectrosonics SPDR Stereo Dig Recorder
« Reply #17 on: September 12, 2018, 09:31:55 PM »
This with a stereo pair of DPA 4060 will make a killer rig for plants, ambiance and stealth music gigs.

dvice equals it at 1/3 of the cost

Offline dactylus

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Re: Lectrosonics SPDR Stereo Dig Recorder
« Reply #18 on: September 13, 2018, 06:47:11 AM »

I'd imagine that the new sonosax pre/ad> aes into this would be about as good a stealth rig as could be.

^
I was thinking the same thing...
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Offline jerryfreak

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Re: Lectrosonics SPDR Stereo Dig Recorder
« Reply #19 on: September 14, 2018, 09:56:48 PM »

Adding digital input and timecode adds quite a lot to the cost of a recorder. This looks like it's aimed at film and/or TV recordists.

its the first bit bucket in that size since the garbage maudio microtrack


Offline jerryfreak

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Re: Lectrosonics SPDR Stereo Dig Recorder
« Reply #20 on: September 14, 2018, 10:05:23 PM »
great match for schoeps CMR.

what you spend on recorder you save on AD and mic bodies

CMR wiring for Lectrosonics:

https://www.lectrosonics.com/Support/component/com_fsf/Itemid,714/tag,Wireless,%20Schoeps,%20CMR,%20mic,%20adapter,%20servo,%20input,%20amplifiers/view,faq

which doesnt happen to match anything in the manual

bummer it has a "rugged aluminum housing" with all the metal detectors these days
« Last Edit: September 14, 2018, 10:17:18 PM by jerryfreak »

Online pohaku

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Re: Lectrosonics SPDR Stereo Dig Recorder
« Reply #21 on: September 15, 2018, 01:41:25 PM »

Now that’s a consideration.  An alternate rig for my CMRs.  Thanks!


great match for schoeps CMR.

what you spend on recorder you save on AD and mic bodies

CMR wiring for Lectrosonics:

https://www.lectrosonics.com/Support/component/com_fsf/Itemid,714/tag,Wireless,%20Schoeps,%20CMR,%20mic,%20adapter,%20servo,%20input,%20amplifiers/view,faq

which doesnt happen to match anything in the manual

bummer it has a "rugged aluminum housing" with all the metal detectors these days
Mics: akg c460 (ck61, ck63), c414buls, c568eb; at4049a, 4051a, 4053a, at853; josephson c42; neumann U87, km84i; beyer m130, m160, m500; aea r84; gefell m71, mt711s, m200, m201; sony c38; schoeps cmc6, CMBI (mk4, mk21, mk41, mk4v); sennheiser mkh30, mkh40, md421, md431, md541
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Offline tim_k

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Re: Lectrosonics SPDR Stereo Dig Recorder
« Reply #22 on: September 19, 2018, 01:12:49 AM »
Mine is on the way  ;D

I would want it for field recordings as well, not so much for music. In your line of work, I imagine a lot of people would be using SD recorders for dialog as well. Are they considered to be on a par with Lectrosonics in your industry?
In my experience most location sound people are using Sound Devices (personally I use Zaxcom though), and the way I have always seen Lectrosonic wireless being used is their pre into the line in. In news they usually use Lectrosonic receivers going directly into the camera (and broadcast cameras have a specific slot for that). This is a long way of saying that Lectrosonics sound very good.

i'm not actually interested in this at all as i recently got a mixpre-6, but i am genuinely curious (not criticizing) -- how would the lack of XLR, 1/4" or 1/8" inputs translate to what we do? the sole input being TA5M 5-pin? maybe i'm just naive, but that seems like a hindrance for concert taping. i'm actually completely unfamiliar with that type of connector as none of my gear has ever had that.
For sure this product is not aimed directly at tapers. But if you work in film/tv the TA5 is pretty much the standard for lav/bodypack wireless mics. It's a very robust connection, essentially a small XLR. Personally I already own lav mics that use the TA5, so it is perfect for me. I do agree that for anyone who doesn't already own the correct type of mics or has a specific need for this type of device it probably isn't of much interest.

Offline jerryfreak

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Re: Lectrosonics SPDR Stereo Dig Recorder
« Reply #23 on: September 19, 2018, 01:14:57 AM »
This is a long way of saying that Lectrosonics sound very good.

im sure its HQ but something designed for voice may not be the best for music in all cases

Offline dogmusic

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Re: Lectrosonics SPDR Stereo Dig Recorder
« Reply #24 on: September 19, 2018, 11:58:37 PM »
Mine is on the way  ;D

I would want it for field recordings as well, not so much for music. In your line of work, I imagine a lot of people would be using SD recorders for dialog as well. Are they considered to be on a par with Lectrosonics in your industry?
In my experience most location sound people are using Sound Devices (personally I use Zaxcom though), and the way I have always seen Lectrosonic wireless being used is their pre into the line in. In news they usually use Lectrosonic receivers going directly into the camera (and broadcast cameras have a specific slot for that). This is a long way of saying that Lectrosonics sound very good.



Thanks for that information!
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