First of all let me briefly introduce myself. For a while my plan has been to start recording concerts, however I did not have a clue what gear to use to get good enough recordings, only it needed to be stealth recordings most of the time. Being a member of Dime I tried to get a picture of what gear was mostly used. Last Friday I found Taperssection and was able to find lots of knowledge and good advice by reading posts. As always when entering a "new world" I am amazed by how much there is to understand and learn and how much knowledge people accumulate when they do what they love to do.
So based on what I learned at Taperssection over the weekend, I today emailed Church Audio to place an order for his supersale offer CA14 cards/omnis and a CA-9100 plus a cable to the deck. I am also buying a Sony PCM-M10. I believe this will be a great stealt rig to grow with while I learn the trade.
So, over to my questions, probably the first one's in a never ending row......
When, and if, there is time to move on from the CA-14's it seems like DPA-4061 and AT853 are at the next level and favored by many of you. I would appreciate if owners of these mic's would describe what differences there are between CA-14, DPA-4061 and AT853 in terms of size, sound quality, tonality, ease of use etc.
Also it seems like most tapers prefer omnis compared with cards. I am buying both and plan to use omis when I'm close to the PA and cards when further away. Is this a correct strategy or is it overkill? I try to get seats in the first 10 rows if possible.
Thank you!
If you are one day going to upgrade from the ca-14 it would not be to an 853 the 853 is a great mic but not a huge difference between my ca-14 and the 853. Who knows by the time you are going to upgrade there may very well be a ca-15
You never know what I will come up with next. I am right now working on a new ca series mic that will be half the size of the ca-11 but that is
quite a few months off from being reality. If you were going to upgrade it would probably be to larger phantom powered mics.
As far as DPA goes they are the best mic made in the world at any price IMO. And no they are not paying me yet
To say that. I think DPA makes the best mics because they have the proper means and engineering to test the product they make and every other mic manufacture including me uses the gear made by DPA / B&K. They are an industry standard for cardioid and omni directional mics. Its just that not many people can afford to run them.
Really in the end its placement and where you are in the audience and how it sounds at the venue that will make Any quality mic sound great.