PVM480 duh they'll put some bass off up in ANY place
run them at center of horn height and just to the inside of the stax(no matter where you are at a rawk sho)for FAT onstage and good samples of what ever the fronts/bottoms can get ya that the stage don't kill...and gainiacs notwithstanding you will have a hyper accurate representation with no alteration...and if:
(ethics get around) run them hot but not over at all and use a compressor/limiter/leveler
DURING capture...and STRICTLY enforce that policy and then let us know how it works out for ya
(policy change)ANY shitty auds or sbds already suck already anyway why give them what you don't even want??you are there to help THEM so show them that and then point out that:
anything that YOU don't like the sound of to YOU is why eqs are in everybodys players already anyways so there's your already built in POST of none of your processing at all xtra gain stage so everybody that wants to even hear any of their stuff can make it their own version already anyways before they post process it themselves when YOU GIVE AWAY FREE STUFF FOR NOBODY TO PROFIT FROM BUT THE POLICY HOLDER duh
shupa cods are the only cods to own mics notwithstanding duh
Hi - A board I sometimes post torrents to of legally recorded local bands has a "no tempering" policy. What this means is that you cannot in any way change the sound of what you have recorded. Now reading the DPA company's manuals and papers reveals that DPA considers it neccessary to adjust cardioid mic sounds to account for a bass deficiency. And sometimes I record in a room where the sound is way too bright and could you some attenuation.
So, I was wondering what you folks think about this. Please let me know. I sure do not see anything wrong in post-processing adjustment. I would not use compression.
Thanks.