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Gear / Technical Help => Microphones & Setup => Topic started by: amfortas2006 on February 10, 2008, 12:40:28 PM
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What are the bast lavaliers out there in you opinion?
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You might want to be more specific about what your purpose is and what your budget is, but here are some I have had good expereince with...
DPA406x
Sennhesier MKE2
Sanken COS11
Conutryman B6
Sennheiser MKE40
Audio Technica ES943
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i would add the AT853u - similar to the ES943......
ninja.
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U853. Especially for the money..cant be beat.
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How about these Nevatons: http://russian-mics.com/product_info.php/cPath/21_28/products_id/38?osCsid=b08841d9b0e62f97a1a9f463c458669c (http://russian-mics.com/product_info.php/cPath/21_28/products_id/38?osCsid=b08841d9b0e62f97a1a9f463c458669c)
Did anyone else use them?
I just found a couple of guys who had them around....
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How about these Nevatons: http://russian-mics.com/product_info.php/cPath/21_28/products_id/38?osCsid=b08841d9b0e62f97a1a9f463c458669c (http://russian-mics.com/product_info.php/cPath/21_28/products_id/38?osCsid=b08841d9b0e62f97a1a9f463c458669c)
Did anyone else use them?
I just found a couple of guys who had them around....
holy crap that's a big mic for a lav!. The idea is to hide the lav so it's not seen (unless you're doing TV news where it's acceptable to show the mic).
I hate best lists, but Fred's list of mics is spot on (although I would move Sanken up one notch and maybe even keep it on the same line as the DPA 406x -- they really stack up very well next to each other).
Wayne
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How about these Nevatons: http://russian-mics.com/product_info.php/cPath/21_28/products_id/38?osCsid=b08841d9b0e62f97a1a9f463c458669c (http://russian-mics.com/product_info.php/cPath/21_28/products_id/38?osCsid=b08841d9b0e62f97a1a9f463c458669c)
Did anyone else use them?
I just found a couple of guys who had them around....
Yes, these are the best sounding Omni mics I've found. Samples of several mics at: Soundmann.com.
By the way, for ambient/nature recording, I prefer the DPA4060. They are more natural sounding, smaller, easier to power, and in my opinion, have less issues with wind noise. But for music, the Nevatons have a warmth and detail that can't be beat. There is something about the DPA4060 that I don't like for music. I wish they were great, since I just bought a pair, but I find my ears fatigue after listening to them for a long time. Can't say what the problem is, something with the mid to high frequencies.
Richard
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How about Sankens?
Cause it is more or less a choice between the Nevatons and the Sankens...
BTW. On the Nevaton web-page it became clear to after downloading and zooming the freq response (not zoomable in the page)
it became clear that they cut under 100Hz. And that means that they are at -20db at 50Hz, where most of the other lavs only start form 0db.
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Has anyone here used the countryman b6 (or any other countryman mic) for recording anything?
I use them often for talking head events and they are great for theater applications (read transparent and tiny, really tiny)...but I've always wondered about rigging a pair for ambient music recording.
http://countryman.com/store/images/large/B6_large.jpg
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Never used countryman, but some guys did, maybe u should start a thread wtih the question, more chances for an answer.
What Im searching for is a omni pair that would go for stereo on less important orchestra recordings from close range where I dont have my whole gear with me. Just to plug into the minir82 and go.
They have the Sankens wired for the minir, so thats really easy. The Nevatons are XLR, that goes with a cable.
The only question would be, wich have a smoother sound, cause I cant try them before buying where I am.
I know it is stupid to talk about sound with such explanations but what I meant is not just dry and flat, but something that sounds good with an orchestra from close range.
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nevaton rulez man str8 up
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holy crap that's a big mic for a lav!. The idea is to hide the lav so it's not seen (unless you're doing TV news where it's acceptable to show the mic).
The gold mesh screen you're seeing is just a pop screen and it's removeable. The mic itself is not much bigger than a 4061. Sounds better than a 4061, that's for sure.
See this thread for more of a closeup: http://taperssection.com/index.php/topic,88757.0.html (http://taperssection.com/index.php/topic,88757.0.html) (the gold pop screen is upside down in the box in the lower left corner)
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Yeah, they sound good on rock music, I heard the recordngs and they rock :headphones:
But now that Ive done a bit of research, I see that they have an under 100Hz cut that goes already at -20dB at 50Hz, so that makes not so suitable for orchestra, and thats what Im aiming for...
And I guess that cut has its reasons also in the noise level of the microphone. :scared:
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get the mc49's for orchestra...major funk dude >:D
Yeah, they sound good on rock music, I heard the recordngs and they rock :headphones:
But now that Ive done a bit of research, I see that they have an under 100Hz cut that goes already at -20dB at 50Hz, so that makes not so suitable for orchestra, and thats what Im aiming for...
And I guess that cut has its reasons also in the noise level of the microphone. :scared:
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stupid question why lavs for orchestra.?.the self-noise because of the physics of the mic will not be optimal for these kind of shows
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There are no stupid questions, my friend, just stupid answers to questions.
I have my reasons why lavs (I also got a normal small diaphragm setup), and if You cant say something constructive, then maybe You should help someone else. (not meaning it in a mean way, sorry . Im just just feeling a bit attacked with your attitude)
If you can help, I am thankfull for you advice, you do have more experience.
thats why we are here.. :)
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LOL ;D
(not sure how my answer was non-constructive though a minus t is on it's way :-*)
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holy crap that's a big mic for a lav!. The idea is to hide the lav so it's not seen (unless you're doing TV news where it's acceptable to show the mic).
The gold mesh screen you're seeing is just a pop screen and it's removeable. The mic itself is not much bigger than a 4061. Sounds better than a 4061, that's for sure.
ahhh.... Thanks for that. Never heard of this mic before and all the lavs I've used were strictly for vocals and usually used in conjunction with a wireless unit.
Wayne
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Can you modified/adapt those mics with a miniplug end? Or does it need more power tha the regular 9V (BB)?
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Can you modified/adapt those mics with a miniplug end? Or does it need more power tha the regular 9V (BB)?
I don't see any reason why you couldn't. They will run on a 9V BB (their spec is 9-48 or 9-52, can't remember which).
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you are talking about the mce400 nevaton correct...i just asked that question ....doesn't look like it.
http://taperssection.com/index.php/topic,98880.0.html
major Fin bummer.......for the money and the sound, i would run these instead of cards, except i don't want the baggage of a pre and XLR....ack.
ninjadave.
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interesting. Well if anyone would know, I reckon it would be muj.
Richard, this might be something for you to experiment with! ;D
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interesting. Well if anyone would know, I reckon it would be muj.
Richard, this might be something for you to experiment with! ;D
yes definitely a richard project!
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interesting. Well if anyone would know, I reckon it would be muj.
Richard, this might be something for you to experiment with! ;D
yes definitely a richard project!
I'll take a look. Right now I just use a Fostex FR-2LE and plug the XLR adapters directly into this. Nice box, and hassle free operation. I would rather carry Fostex plus mics vs. Edirol R09 plus battery box plus mics...
Richard
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Can you modified/adapt those mics with a miniplug end? Or does it need more power tha the regular 9V (BB)?
I don't see any reason why you couldn't. They will run on a 9V BB (their spec is 9-48 or 9-52, can't remember which).
Well,that's good to know. I'm really interested in those mics.Thanks a lot :)
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They do have an old school sound, round and pleasant