Try them all, make notes on which patterns you used to record what, and compare the results when you get back home. That's really the best way to get a handle on all this. Each capsule pattern will have a somewhat different high-frequency response and will sound somewhat different used from the same recording position.
There are other things going on which will effect the perceived sound balance in addition to the on-axis high-frequency response of the capsules-
From the distances you are recording (or from farther away), the more directional the pattern is, the more the lowest frequencies will be rolled off in the resulting recording. Omnis will produce a recording with much more low subwoofer bass in it than hypercardioids. That in itself may make the omnis sound less 'bright' even if the high-frequency response is the same as the more directional patterns. The twist on that is the "proximity effect" that Jon mentioned, which increases bass response as a directional microphone is placed very close to the source. But that doesn't typically begin to happen until the microphone is closer than maybe 3' or so, and typically becomes most apparent within 1'. Think vocal microphones and the difference in vocal timbre when the singer holds the microphone a couple feet away verses right against their lips. In addition to the difference in level, there is typically a rather large difference in bass response and 'heft' in the sound of their voice. That's proximity effect.
Another thing is simply the overall pickup pattern of the microphone pair. That close to the stacks, the sound from the PA will dominate simply due to its far greater level than that of the audience and other sources like the instruments on stage, yet omnis will still pickup more of that stuff than cardioids or hypercardioids will, especially between songs when the sound from the PA becomes minimal.
Consider the combined pickup pattern shape of both microphones used together, and consider where the least sensitive portions of their directional patterns are pointing. You can use that to your advantage. For cardioids, that least sensitive portion faces directly towards the rear for each microphone, but the more the two microphones are angled apart from each other more the overall pickup pattern becomes less cardioid shaped and more sub-cardioid like. If they both face straight ahead, then the overall pattern of the two remains cardioid-shaped with the minimum sensitivity achievable to the rear. If you want to do that, you'll probably want to space them apart from each other more if you can to make up for the lack of angle between them. With hypercardioids, the least sensitive portion of their pickup pattern lies on the surface of a rear facing cone, rather than directly to the rear.