mshilarious,
Even as a "commercial service", I am still a small, one person, home-based business. Budget restraints are the main reason for finding something that I can work with in as many situations as possible, rather than the latest and greatest mics available. I need a compromise.
Secondly, many say in the videography world that:
Good video + bad audio = bad video
Bad video + good audio = passable video
With that said, I am not here because of customer complaints. I have managed to tweak what sound I have gotten to compliment the video. My aim to to prevent any problems that could arise by capturing the sound with my own equipment and make the sound board feed secondary. Even the video I posted as an example is not the final mix of that particular soundtrack.
While I've not experienced many problems in the video area, good audio has become problematic for school events and pageants (weddings are an entirely different beast that I seem to have covered well enough). As I mentioned before, I can no longer rely on a good sound board feed for every event and need something I can trust. Not to mention that a mix for the room and for a video are completely different - as I am sure you know. Any way I can improve the sound....the better for me and my clients.
I posed the question here because on a videographer's forum I was told that I needed (at least) two small diaphragm condensor mics on a stand. However, the advice on which mics varies a great deal and frankly most of the suggestions are well beyond what I am able to afford right now. I was looking to the experts here as a bridge between the two. Capturing the sound of the room is basically what I need. I was under the impression that the expertise on doing just that would be here rather than on the other forum. I just need a place to start. Needless to say, I am not an audio guy. That's what I need everyone here for. As you said - "This forum is pretty good in that the ethos is generally about using sensible equipment, and learning how to make the best of it." That is precisely why I am looking to you.
Besides, finding the best location and configurations of the mics can only be achieved by experimenting at the rehearsal - or at least, that was my impression. That's why I didn't inquire about that.