I use for every that's right every audience file. One of the JEMs guys taught me this secret--(1) De-Click; (2) Phase and (3) Azimuth in modest strength. He did it for every restoration.
For IEM or ALD sources, especially ALD, I use music extraction called Music Rebalance and make extractions or stems. For example, I'll take a thin ALD and make a stem with heavy bass and a tad of percussion and other, and throw it into the mix hard right or left. Another might be percussion or other. Other ends up being a lot of misc stuff like guitar and keyboards, so it is hard to control. The sensitivity bars are useless, and I note they were eliminated in RX8, I leave them at 0
For IEM click tracks, de-click does not work, so I use attenuation if I can get a clean click track. One has to be careful, because eliminating 100% of click tracks will impact other sounds.
I could go on and on, but that is the gist of it.