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Gear / Technical Help => Microphones & Setup => Topic started by: Chris K on December 17, 2003, 11:20:37 AM
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Bayview Pro Audio is selling the NT2000 for $599 each, and you get a free cascade XT1 with each purchase.
I don't know much about either of these mics.
The nt2000 is a dual diaphram multipattern ld condensor with pad, i have seen it advertised in a few magazines (eq & mix).
here is a link:
http://www.bayviewproaudio.com/rode_nt2000.html
waddaya think?
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ad for the rode nt2000...variable pickup pattern, variable lf cutoff, variable pad...neato
http://www.rode.com.au/nt2000ad.pdf
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there is a thread on these a bit back, just search rode. personally i am not a fan of the 2000. also looking at that free mic i cant see what on earth id use it for, the fq response chart looks like blech.
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pretty expensive... if the free mic is relatively useless, you can get a matched pair of ADK TL's from Sonic Sense for less than $700... I think that would serve you way better, for the money.
I would also wonder if dual diaphram is useful for taping... doesn't this mean that it would be picking up sound from behind as well? I personally think that would just add more crowd noise and reflection.
You would save $500 if you got the TLs... that's the price of a W-Mod UA-5...
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i guess i should have asked if anyone had experience with this mic with field taping or otherwise.
a friend of mine who has a small home studio is buying a pair. he does alot of small band demos, and when you are in that situation, you can NEVER have too many mics. he has a nice collection of mics already. he pointed to the bayview buy the nt2000 and mic get the cascade mic free link, and asked me my opinion of them...well i never used rode products, so i thought i would ask here
I realize that rode is not the "taper preferred" mic, but i was looking a little beyond taping, and possibly using in a studio atmosphere.
and as for the frequency response...ruler flat is not always desireable...
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im talking from studio experience, and i kind of disagree with the sentiment that you can never have too many mics. you can- if you've got a lot of junky mics. the newest thing is rarely the best thing except in a few situations, especially in the studio. i think not only is the 2000 overpriced for what it is, but throwing in a free POS mic doesn't sweeten the pot for me.
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thanks for your opinion jp...
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np. i even give it when it isnt wanted :-)
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I would also wonder if dual diaphram is useful for taping... doesn't this mean that it would be picking up sound from behind as well? I personally think that would just add more crowd noise and reflection.
Actually that's what the polar pattern knob decides. Dual diaphragm mics are what makes figure 8 recordings possible so it's not always in use. And unless you run M/S or need more room ambience you won't stray far from cardiod/hyper/super type stuff. Omni picks up more of a room than figure 8 does.
I have an NT1000 and it gets chosen for many tasks around my studio above Neumanns and Microtech Gefells. It has a real thick and heavy quality that's more like tube mics than FET's. That being said the NT2000 looks roughly the same with knobs on it for adjustment. also, Rode mics are built super tough, not like all the chinese LD's coming to market(yes that includes ADK)
The Cascade mics are shit though....I got one free when I bought some RME gear from bayviewproaudio and gave it away.
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I would also wonder if dual diaphram is useful for taping... doesn't this mean that it would be picking up sound from behind as well? I personally think that would just add more crowd noise and reflection.
Actually that's what the polar pattern knob decides. Dual diaphragm mics are what makes figure 8 recordings possible so it's not always in use. And unless you run M/S or need more room ambience you won't stray far from cardiod/hyper/super type stuff. Omni picks up more of a room than figure 8 does.
I have an NT1000 and it gets chosen for many tasks around my studio above Neumanns and Microtech Gefells. It has a real thick and heavy quality that's more like tube mics than FET's. That being said the NT2000 looks roughly the same with knobs on it for adjustment. also, Rode mics are built super tough, not like all the chinese LD's coming to market(yes that includes ADK)
The Cascade mics are shit though....I got one free when I bought some RME gear from bayviewproaudio and gave it away.
Thanks- didn't know that. I do know that the Rode NT1 sounds awesome in my home studio though!