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Author Topic: B9Audio microphone discussion  (Read 63945 times)

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Offline ero3030

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Re: B9Audio microphone discussion
« Reply #45 on: October 30, 2018, 11:53:19 AM »
I'm down for a card stereo mic
needin some fishhead music!

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Offline b9audio

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Re: B9Audio microphone discussion
« Reply #46 on: October 31, 2018, 09:33:04 PM »
I'm down for a card stereo mic

It is suitable for solo instrument, smaller such as strings, wind instruments, guitar... or for sound reinforcement.
For larger scale instrument or ensemble, such as piano, drum set..., CSM88, Blumlein stereo is more suitable.

Offline ero3030

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Re: B9Audio microphone discussion
« Reply #47 on: December 03, 2018, 02:18:13 PM »
Ordered a pair a hypers last night.  Fingers crossed I dig them.  All sounds good I'm deff in for there wide card and shot gun caps.  Will post more when I receive them.  Ed
needin some fishhead music!

" known for f**king up a good weekend on a Thursday nite "

Offline heathen

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Re: B9Audio microphone discussion
« Reply #48 on: December 03, 2018, 02:25:33 PM »
Ordered a pair a hypers last night.  Fingers crossed I dig them.  All sounds good I'm deff in for there wide card and shot gun caps.  Will post more when I receive them.  Ed

I'm really curious to hear how these sound.  Please post a heads up here when you get a chance to share a recording made with the hypers!
Mics: AT4050ST | AT4031 | AT853 (C/SC) | Line Audio CM3 | Sennheiser e614 | Sennheiser MKE2 | DPA 4061 Pre: CA9200 Decks: Zoom F8 | Roland R-05

Offline b9audio

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Re: B9Audio microphone discussion
« Reply #49 on: December 03, 2018, 07:55:22 PM »
Ordered a pair a hypers last night.  Fingers crossed I dig them.  All sounds good I'm deff in for there wide card and shot gun caps.  Will post more when I receive them.  Ed
Thank you, hope you like them. Super cardioid and shotgun are very popular for the video/film audio. Wide card or omni card are popular for the music recording/live sound.

Offline muj

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Re: B9Audio microphone discussion
« Reply #50 on: December 04, 2018, 03:45:24 AM »
Ordered a pair a hypers last night.  Fingers crossed I dig them.  All sounds good I'm deff in for there wide card and shot gun caps.  Will post more when I receive them.  Ed

I'm really curious to hear how these sound.  Please post a heads up here when you get a chance to share a recording made with the hypers!


My CSM88 is spectacular, ran it in Brussels last weekend. The hypers are just as good..

Offline heathen

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Re: B9Audio microphone discussion
« Reply #51 on: December 04, 2018, 08:30:10 AM »
Let's hear some samples!
Mics: AT4050ST | AT4031 | AT853 (C/SC) | Line Audio CM3 | Sennheiser e614 | Sennheiser MKE2 | DPA 4061 Pre: CA9200 Decks: Zoom F8 | Roland R-05

Offline b9audio

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Re: B9Audio microphone discussion
« Reply #52 on: December 06, 2018, 04:21:58 AM »
This design is going to answer the demand for MS with exchangeable Mid mic, or for XY stereo.

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Re: B9Audio microphone discussion
« Reply #53 on: December 06, 2018, 06:48:21 AM »
Ordered a pair a hypers last night.  Fingers crossed I dig them.  All sounds good I'm deff in for there wide card and shot gun caps.  Will post more when I receive them.  Ed

^
Did you order the side address super cards (CM150VF) or the CM150F?
hot licks > microphones > recorder



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Offline noahbickart

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Re: B9Audio microphone discussion
« Reply #54 on: December 07, 2018, 01:44:35 PM »
Ordered a pair a hypers last night.  Fingers crossed I dig them.  All sounds good I'm deff in for there wide card and shot gun caps.  Will post more when I receive them.  Ed
Thank you, hope you like them. Super cardioid and shotgun are very popular for the video/film audio. Wide card or omni card are popular for the music recording/live sound.

Thanks so much for being here and contributing.

Just so you know to whom your speaking, many members here are very knowledgeable about the intended uses for a wide variety of microphones.

Very few of us, however are doing film audio or studio recording.

Most of us record concerts from a distance.
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Offline Gutbucket

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Re: B9Audio microphone discussion
« Reply #55 on: December 07, 2018, 02:07:59 PM »
"Most of us record concerts from a distance."

And that is what makes PA-amplified concert recording in particular and the methods used to do it unique in comparison to most other forms of audio recording.  The standard approaches to audio recording as typically done, and the situations to which they apply, are actually a rather small subset of how most amplified concert tapers operate - sort of the exception to the rule.

I may be making a trip to Taiwan sometime in the coming year or so to visit a close friend, and if possible I would be very interested in visiting your facility.  However, I certainly don't wish to be an imposition.
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Better recording made easy - >>Improved PAS table<< | Made excellent- >>click here to download the Oddball Microphone Technique illustrated PDF booklet<< (note: This is a 1st draft, now several years old and in need of revision!  Stay tuned)

Offline b9audio

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Re: B9Audio microphone discussion
« Reply #56 on: December 07, 2018, 07:56:15 PM »
Ordered a pair a hypers last night.  Fingers crossed I dig them.  All sounds good I'm deff in for there wide card and shot gun caps.  Will post more when I receive them.  Ed
Thank you, hope you like them. Super cardioid and shotgun are very popular for the video/film audio. Wide card or omni card are popular for the music recording/live sound.

Thanks so much for being here and contributing.

Just so you know to whom your speaking, many members here are very knowledgeable about the intended uses for a wide variety of microphones.

Very few of us, however are doing film audio or studio recording.

Most of us record concerts from a distance.

Thank you, and it is nice to talk to and learn from you the professional that really understand microphones.

Offline b9audio

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Re: B9Audio microphone discussion
« Reply #57 on: December 07, 2018, 07:58:37 PM »
"Most of us record concerts from a distance."

And that is what makes PA-amplified concert recording in particular and the methods used to do it unique in comparison to most other forms of audio recording.  The standard approaches to audio recording as typically done, and the situations to which they apply, are actually a rather small subset of how most amplified concert tapers operate - sort of the exception to the rule.

I may be making a trip to Taiwan sometime in the coming year or so to visit a close friend, and if possible I would be very interested in visiting your facility.  However, I certainly don't wish to be an imposition.

Welcome to Taiwan. I may also going to east coast mid of Feb to early March. In case anyone is close by, I can bring most of the microphones with me and show them to you.

Offline b9audio

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Re: B9Audio microphone discussion
« Reply #58 on: December 08, 2018, 08:30:28 AM »
Did a PF sound test for XY configuration. A pair of B9audio CV4 capsule. WAV download link listed in the video description.
https://youtu.be/UPVnIKEV0lk

Offline b9audio

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Re: B9Audio microphone discussion
« Reply #59 on: December 16, 2018, 07:53:54 PM »
Working on a stereo kit, it is based on a pair of direct cable out pre-stage, CMP1C. Matched with a stereo bar and various capsules, it can be XY/MS/ORTF/NOS/AB, even side address cardioid ORTF which is so interesting when compared with the end address cardioid ORTF.

https://www.youtube.com/watch?v=41BfwWjhUxg&list=PLLHaojJAUa7ocszleoEroijt6HEipjMV4&index=6

 

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