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Author Topic: jb3 bitrate  (Read 12698 times)

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Offline sickrick43

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Re:jb3 bitrate
« Reply #45 on: March 13, 2004, 08:35:16 AM »
But look at it this way.  If you were running a higher bitrate/depth, you couldn't patch anyone that wasn't capable of capturing at that rate.

That would seem like the ultimate cop-out - "ah, sorry dude, I'm running 96/24 - can you record 96/24 - no? - guess you can't patch ME then"...

Hang a sign on your stand, 96/24 ONLY

heh heh heh...

Rick
4 Track & CD Live Rig: TLM-170's->V3->SD-744T  CDLive->TC Finalzer Express->Tascam CDR-900SL

24 Track Rig: Audix D6/D2/D4/I5/SCX1-C/O->Whilrwind SPC82 ISO Splitters->DigimaxLT's->Alesis HD24 (Lucid GenX192 Master Clock)

Canon 1Ds MarkII - 16-35/2.8L - 24-70/2.8L - 70-200/2.8L IS - 180/f:3.5 Macro - 550EX Flash


"this isnt a dramatic bitchy exit, its just time to go." - Big Ray (queen of the dramatic bitchy exit)

Offline caymanreview

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Re:jb3 bitrate
« Reply #46 on: March 13, 2004, 09:50:52 AM »
i saw that happen 2 weeks ago at ymsb, and from now on that will be what il have to say to patchers

i am running the mme at 24/48 because im using the coax output (soon to be aes output) because im using a vx pocket v2.

so patchers are basically SOL if they want a patch from me. i only have a headphone output on the mme and the headphone out on the vx pocket, and i dont even know if that functions during recording

Offline Sugarite

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Re:jb3 bitrate
« Reply #47 on: March 13, 2004, 12:13:18 PM »
Beggars can't be choosers.

Offline sickrick43

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Re:jb3 bitrate
« Reply #48 on: March 13, 2004, 12:49:06 PM »
i saw that happen 2 weeks ago at ymsb, and from now on that will be what il have to say to patchers

i am running the mme at 24/48 because im using the coax output (soon to be aes output) because im using a vx pocket v2.

so patchers are basically SOL if they want a patch from me. i only have a headphone output on the mme and the headphone out on the vx pocket, and i dont even know if that functions during recording

If larger storage options become possible, that new Fostex deck may capture a large portion of the market.  I'd consider dumping the V3 and the D10 and leaving the JB3 on the Harley if that ever gets going.

Rick
4 Track & CD Live Rig: TLM-170's->V3->SD-744T  CDLive->TC Finalzer Express->Tascam CDR-900SL

24 Track Rig: Audix D6/D2/D4/I5/SCX1-C/O->Whilrwind SPC82 ISO Splitters->DigimaxLT's->Alesis HD24 (Lucid GenX192 Master Clock)

Canon 1Ds MarkII - 16-35/2.8L - 24-70/2.8L - 70-200/2.8L IS - 180/f:3.5 Macro - 550EX Flash


"this isnt a dramatic bitchy exit, its just time to go." - Big Ray (queen of the dramatic bitchy exit)

 

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