Thanks for the feedback. Much appreciated.
Yeah, there are a couple of reasons for the two static shots that are so similar. I need to figure out the best configuration for that bar...
- Both cameras were mounted to my microphone stand with Bogen variable friction magic arms/super clamps. I was solo and wasn't sure if this band would draw a crowd, so I figured that was the safest option for unattended use.
- You are right, though, I need to look at adding a wide angle lens to the equipment list. One cam can't get the whole stage from that position, and unfortunately, I can't get any further back (right against front of SBD).
If The Record Bar is crowded, I wouldn't be able to get those roving shots very easily. I had the 3rd cam on a monopod and moved around. At the end you can see some jitter in the video. That was due to bass vibrating through the floor and up to the cam. Most of the time, I set the monopod on top of my foot to act as a shock absorber...it worked.
I'm considering one static stage shot w/wide angle lens, asking the venue for another safe location for a second static shot of to the side. And for busy nights on the third cam, I'll probably be pretty much camped by the mic stand for panning/zooming.
video = hard.
Thanks again,
Michael