> doesn't Microtech Gefell still use nickel membranes ...
M 94, yes (see below), but I think the M 70 was originally PVC-based and that more recent ones are Mylar-based, though I'm not entirely sure.
As I said, "nearly all" the manufacturers abandoned the use of metal membranes rather quickly when Mylar became available. For two big reasons, Neumann (Gefell) was an exception. One is that in the 1950s they were behind what we used to call "the Iron Curtain," and couldn't legally deal directly with Western suppliers such as DuPont; they also lacked hard currency to do so. For many years Gefell's materials and parts quality lagged far behind those of Western manufacturers, and it is very much to the company's credit that they did as well as they did with what they had available to them.
The other is that Gefell has always been a producer of measurement microphones as well as studio microphones, and I was speaking mainly about studio microphones. Neumann (Berlin) also used to produce a line of measurement microphones with small, nickel diaphragms, but they discontinued their measurement mikes at around the same time as the switch to Mylar.
Of course standard measurement microphones are pressure (omnidirectional) transducers, which as a rule aren't used as often for music recording as directional microphones are. Gefell's nickel cardioid capsule, um, shares many design elements, shall we say, with Neumann (Berlin)'s capsule for the KM 54 microphone--see attached photo--and ironically (or perhaps I should say nickellically?) Microtech Gefell is one of the few places that can bring a capsule from that series of microphone up to spec now that Neumann (Berlin) (or Wennebostel now that they're a branch of Sennheiser) no longer has the process to do so.
For pressure-gradient capsules there is essentially no question that Mylar is a superior material to metal in every respect. For pressure transducers, which operate at much higher diaphragm tensions, some people feel that metal still has its advantages from the manufacturing aspect.
Sonically, in capsules that can accommodate either type of diaphragm, the difference is small. I actually had a pair of microphones not long ago in which unbeknownst to me, one capsule had a nickel membrane while the other one was Mylar, and I didn't notice any difference either before or after I found out about it. So I don't think that this is any big part of our Holy Grail pursuit. Makes sense, since the majority of the moving mass of a capsule is the air surrounding the diaphragm, not the diaphragm itself--and the motion of that air is controlled by friction within the capsule (i.e. capsules don't work like tympani, or they'd have "one-note" frequency response like tympani have).
--best regards