^^^^ On the advice of Teddy, I am running two channels to try and learn that technique. Then, and only then, four channels. I can do four channels with my Mackie 1402-VLZ3 > SD 722 but I screw it up as much as not. I think when it is four channel time I will get another 722 and link them so that I have identical sound paths. Yes, yes, I know I will be running different mics, but I want to control the opportunities for error. I.E., if there is a serious difference in the channels, it is most likely the mics. I need to keep it simple. With a 744T I am lugging a pre-amp around anyway, unless it is heavy metal. ;o) I like acoustic, especially classical. Last night was rehearsals for the Bach
Magnificat.NB, I am still fighting my way up the learning curve here. The DPA sound is uncolored. I have not played with the different grids or the nylon balls which will modify the sound to be like the older tube mics. There are three sets of balls in the kit I have.
If you are considering omnis, the DPA 4006/4006TL kit with the bar, mic mounts, grids and nylon balls offer the equivalent seven different omnis in one setup. It comes with the Samsonite case and the fitted foam for the various bits. That saves some money. According to DPA, dust is not an issue, either. They poured talcum powder on the 4006's diaphragms and found no measurable sound degradation: thick, high-tension membranes are the reason. Ah lak 'em.
Cheers
PS - as for the quality of the recordings, well, they are getting better. But I always am a little disappointed.