Yeah... he was good for me for the most part, but I was really pestering him to get my stuff shipped. Hopefully I can figure it out soon with him - especially since this is just a defective device. I would get some sound pros gear if getting them to Canada wasn't so expensive.
I'm seeing Godspeed You! Black Emperor, so it'll definitely be really loud. If the Zoom H1n provides 2.5V I think I'll go borrow one from the university library (they also have H4n Pros but the jack on those is in a terrible spot + I imagine they're also 2.5V) to use for these shows. Even though I've heard their preamps arent as good as the r-05, I think the extra PiP is more valuable (especially for a loud show). My other recorder is a DR-40 which doesn't have a 3.5mm jack either
Gonna be taping a few other bands later this year so I'm hoping to get this sorted soon.
I'm pretty sure the Zoom H1 uses the same preamp as the H1n, and it is actually a better preamp than the R-05 at a very specific setting. Basically, the Zoom H1's levels go from 0 to 100. 0 to 15 is digital attenuation. 16 is unity gain. 17 to 36 adds gain, but the noise floor increases at the same exact amount as the gain. Then from level 36 to 37, you can clearly notice a HUGE decrease in hiss, despite level 37 adding more gain than level 36. That's apparently when the low-noise gain circuitry kicks in. Then from 38 to 100, you do get more gain, but you also get the same amount of noise. So level 37 (which amounts to +13 dB) is the setting you should use unless you are in danger of clipping. If you were using the internal mics, GYBE would definitely clip -- but since the Church Audio mics are ~15 dB less sensitive than the internals, you should be good. I taped Mogwai last year (with a preamp for power, but set to 0 gain; the Zoom H1 was set to 37), and the recording peaked at -4 dBFS or so during My Father My King.
When the Roland R-05 is set to +13 dB (~LineIN@80 or ~MicLow@50 or ~MicHi@15 [not recommended because anything under 18 gives you harmonic distortion]) you actually get a much worse signal to noise ratio than with the Zoom H1 at 37. The Roland R-05 only gets a significantly better signal to noise ratio from MicHi@40 on, which isn't a useful range for very loud shows.
This is the little table I use to figure out which settings I should use with each recorder:
Now, the Zoom H1N uses the same preamp, but instead of the digital 0-100 level settings, it uses a 0-10 physical dial to set gain. The principle is the same, but I hear the 'clear' gain (equivalent to 37 on the H1) kicks in just after the 6 mark. You can easily hear it with headphones, so I suggest you set it beforehand. Honestly, you will be totally fine IF your mics don't overload due to insufficient voltage, but there isn't much you can do about that right now. It's worth a try.