While my recording setup has undergone many upgrades over the past 10 years or so, I am still using the same old KRK Rokit 5 G2 monitors. I finally realized that these monitors are holding me back in post work. After reading many reviews, I now have a pair of
Kali IN-5 arriving next week which should be a major upgrade.
While researching monitor recommendations on Audio Science Review, I also realized I had never tried doing any measurement and correction of my monitoring setup. I use the Audyssey room correction in my home theater receiver, so why not do this for my monitoring setup? I came across
this fantastic list of resources, and started learning what to do.
First, I needed a calibrated measurement mic, so I bought a
Dayton EMM-6 Measurement Microphone - You download calibration files for each individual mic, to be used during measurement. Note that they have a
USB version if you don't have an interface. Many people also like the
MiniDSP UMIK-1 for this.
I went by
Julian Krause's video on how to use
Room EQ Wizard to measure and generate correction files, and
Equalizer APO to apply the correction. Be advised, there is a bit of a learning curve on this (heh) but after you have REW initially setup and you're used to the procedure, future measurements become easy. FYI, there are many other tutorials out there for these two pieces of software, but Julian's video is by far the most straightforward. I used Julian's modified-Harman house curve when generating correction.
The last piece of software I added was EACS, which lets you quickly toggle between different correction files using the Windows system tray. This is especially convenient when switching between listening on speakers and headphones. (For correcting my headphones, I use the EQ presets generated by
Oratory1990, available in EAPO format
here.)
Results: A definite improvement in overall clarity, especially a reduction of a mid-bass hump in my room. Next up, the new monitors!
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The last step is to make some test recordings using a slate of test tracks played through the setup before and after correction. I made two compilations of about 15 minutes each: One "classical" and the other pop styles.
You can find those compilations here, as well as my test recordings made with the KRK monitors. I'll upload recordings of the Kali IN-5 after they are done. Note that the test recordings are in version "stacks". After you start playing, click on the V1/V2 icon on the right to A/B between the different versions.