I dunno. Being in the computer biz, I'm left with the impression that PCMCIA stuff is not going to be paid mush attention to in R&D, with solid state being given the nod as the next big think in removable storage.
The FR-2 is still a very viable system. I'm eager to hear about the pre-A/D. I could justify it to the wife, if I sell the V3. It would certainly make the rig simpler.
But for storage, at least for what WE do here, it seems like another case of the cart before the horse. Even though the media is re-usable, at current media sizes, you're still looking at 2:24 media (5GB@96/24). Buy 2 and carry a laptop to do dumps with? 5GB micro-drive and 4GB Compact Flash? Wonder if it will switch between media on the fly? Can you hotswap media while writing to the other one.
I can see doing 192/24 for sampling effects and whatnot for the broadcast/movie application. Unless you're planning on doing DVD Audio, wouldn't a bitrate/density that high kinda be overkill when it's going to end up on a 44.1 CD anyway?
I can even see recording multi-track at higher than 96/24, as you'll keep the definition in the mixdown process, before you dither down prior to mastering to CD. But for the purposes of live open mike recording in a room, is ultrahigh rate/depth going to actually be a benefit, or a storage albatross?
Just thinking out loud...
Bob, I'm anxious to hear your impressions after playing with this (if they let you). Bring 8 high capacity AA's with you, as it appears B&H doesn't have the "kit" that includes the wallwart in stock, nor do they have the wallwart as a seperate item. Wish I had a pro audio shop down here that carried that item.
Rick