Not sure if this has been posted.... interesting, very interesting
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http://bt.etree.org/details.php?id=668Hillbilly IDOL
2003-11-20
Cleveland, OH - Barking Spider Tavern
Taper: Brian Skalinder
Location: Center, 15' back, 7' up, clamped to and dropped down from cieling beam
Config: DIN (20cm, 90º)
Sources: Schoeps MK4/KC5/CMC6 Denecke PS-2 > Lunatec V3 (16-bit/44.1k) > Sony D100
> W-Mod UA-5 (16-bit/44.1k) > Nomad JukeBox 3
Conversion: Sony D7 > Waveterminal 2496 > Cool Edit 2000 > CD-Wave (DAT only)
SOURCE A
01. Better Off Believing
02. Blue And Lonesome
03. Blue Showing Through
04. I Don't Think About You Anymore
SOURCE B
05. Better Off Believing
06. Blue And Lonesome
07. Blue Showing Through
08. I Don't Think About You Anymore
NOTES:
- Hosa XLR splitters after PS-2
- Canare / Neutrik interconnects between mics and PS-2, splitter and V3/UA-5
- Tracked with CD-Wave
- Fades with Cool Edit 2000
- V3 at ~48dB gain
- UA-5 at ~4:00 gain
I'll be happy to reveal which source is which after receiving feedback from listeners.
The Barking Spider is a small bar with a bit of an awkward layout for bands. The left stack and all the monitors are up against the same wall. Drums are unamplified. Right stack is on an angle facing in towards the rest of the room. Since it's such a small place, there isn't a need for massive reinforcement from the PA, so the broad horizontal spread of the monitors and far-right drum placement makes for some serious instrument placement within the recording space. Looks something like this (only looks correct if viewed as a mono-space font):
Banjo
Mando
Acoustic Guitar Fiddle Accordion
PA Pedal Steel Acoustic Guitar Upright Bass Acoustic Guitar Piano
Drums
\P
\A
ME