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Author Topic: Oddball microphone technique (OMT) - part 3  (Read 47483 times)

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Offline fireonshakedwnstreet

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Re: Oddball microphone technique (OMT) - part 3
« Reply #330 on: July 29, 2022, 11:59:46 PM »
I finally got to run a large OMT set up again at Phish Bethel Woods last weekend.
For night one, we ran a pair of AKG ck61ULS PAS, a pair of DPA 4060 omnis spread about 4 feet and kindms AKG c426 XY cardioid.
https://taperssection.com/index.php?topic=200245.0

https://we.tl/t-rznoDbV8GQ                                                              Phish 2022-07-22  AKGck61 ULS + DPA 4060 omni    expires 8-05
https://bt.etree.org/details.php?torrentId=616331                         Phish 2022-07-22  AKGck61 ULS + DPA 4060 omni     

For night two, I came away with a 4 channel OMT set 1 and a 6 channel set 2: set 1 we ran a pair of AKG ck63 PAS, a pair of DPA 4060 omnis spread about 8 feet; set 2 AKGck63 + DPA Omni + AKG c426 XY caridoid
https://taperssection.com/index.php?topic=200246.0

https://we.tl/t-R7lE4AA99n         Phish 2022-07-23 AKGck63 + DPA Omni + (AKG c426 set2only ) flac    expires 8-06
https://bt.etree.org/details.php?torrentId=616332


Here is a photo of night 1 I also posted in rig pics. No night two rig photos. Any of you OMT appreciators check it out and let me know what you think?

Man, these OMTs really put you in the place. Crisp, airy, and full pulls. Total envelopment of sound. Split omnis outdoors are a MUST. Nice job! Will give a closer listen tomorrow to compare the different permutations. Real nice OMTs  :cheers:
Mics: AT 3031; AT 853Rx (c, o); CA-14(c); JVC M510; Naiant X-R (h); Studio Projects C4 (c, o, h); Nak 300
Recorders: Tascam DR-680 MkII; Tascam DR-70D; Tascam DR-5; Tascam DR-2D
Pres: Edirol UA-5 (Oade PMod & WMod); Marantz PMD661MkII (OCM); Naiant MidBox; Sound Devices MixPre

Offline fireonshakedwnstreet

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Re: Oddball microphone technique (OMT) - part 3
« Reply #331 on: August 02, 2022, 06:47:09 PM »
What were the respective mixdowns for these, rock? You guys made out like pure bandits. I might have to start saving my pennies for the 4060s. There is a really nice depth here.
Mics: AT 3031; AT 853Rx (c, o); CA-14(c); JVC M510; Naiant X-R (h); Studio Projects C4 (c, o, h); Nak 300
Recorders: Tascam DR-680 MkII; Tascam DR-70D; Tascam DR-5; Tascam DR-2D
Pres: Edirol UA-5 (Oade PMod & WMod); Marantz PMD661MkII (OCM); Naiant MidBox; Sound Devices MixPre

Offline fireonshakedwnstreet

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Re: Oddball microphone technique (OMT) - part 3
« Reply #332 on: August 02, 2022, 07:19:36 PM »
I stopped being mad about this one long enough to work on it. Last time ever in a stadium. Just not worth the hassle.

https://archive.org/details/deadco2022-07-10.ps1.s2.omt8audmtx.perez.t-flac16

Dead & Company
Source: OMT8 AUD MTX (24/44.1)
Channels 1|2: Studio Projects C4 (hyper), split 2' @ 45 degrees -> Naiant MidBox -> Tascam DR-680MKII
Channel  3|4: Tascam PE-125 w/ JVC M510 Superdirectional caps, split 6”, PAS -> Sound Devices MixPre -> Tascam DR-680MKII
Channel  5|6: Audio Technica 853Rx (omni/APE balls) A-B split 4'-> Edirol UA-5 (Oade Warm Mod)  -> Tascam DR-680MKII  (Set II Only)
Channels 7|8: Audio Technica 3031, X-Y PAS -> Edirol UA-5 (Oade Presence Mod) -> Tascam DR-680MKII

Location: FOH, LOC, 9'up

Mics: AT 3031; AT 853Rx (c, o); CA-14(c); JVC M510; Naiant X-R (h); Studio Projects C4 (c, o, h); Nak 300
Recorders: Tascam DR-680 MkII; Tascam DR-70D; Tascam DR-5; Tascam DR-2D
Pres: Edirol UA-5 (Oade PMod & WMod); Marantz PMD661MkII (OCM); Naiant MidBox; Sound Devices MixPre

Offline rocksuitcase

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Re: Oddball microphone technique (OMT) - part 3
« Reply #333 on: August 02, 2022, 11:54:30 PM »
What were the respective mixdowns for these, rock? You guys made out like pure bandits. I might have to start saving my pennies for the 4060s. There is a really nice depth here.
SO for night one it was basically using the ck61's (cards) as the center at 0 dB, the omnis at -4dB and the 426 about -6dB
For night two the ck63's (hypers) had no windscreens so first set was fried, it was about 0dB on 426 and -3dB on the 4060.
set 2 I did similar but added the ck63's about -3dB with the 426 being about -1 dB and 4060's -4dB

I agree that the DPA 4060's are very nice with a hot output signal. I paid about $850 for the entire stereo kit which includes some mounting options and two of the ever elusive microdot to XLR adapters. (DPA 4060 sk)
music IS love

When you get confused, listen to the music play!

Mics:         AKG460|CK61|CK1|CK3|CK8|Beyer M 201E|DPA 4060 SK
Recorders:Marantz PMD661 OADE Concert mod; Tascam DR680 MKI

 

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