honestly, your angles look a little under 110deg.
It always amazes me how that extra 20deg over a perfect square looks so exagerated. I just dont see that w/your image.
but protractors doent lie.
Or these.
hmmmm, those look VERY familiar
Oh wait, I have those EXACT same templates
Thanks again Mark, that was VERY KIND of you to GIVE me those, which I think were your own personal templates. That shows me you are truly a KICK-ASS guy, especially to just GIVE them to me for nothing when you moved to the land of actives for good
So THANKS again bud
I have them permanently kept in my AKG 483 gear bag and they have already come in VERY handy for when running the AKG 483's when I dont have the KwonBar to rely on for angles/spacing/configs like I do with my MBHO's
And bro, about your question about being below or above the 110* angle, I would say you would rather be under the 110* angle rather than over it around 120*. I would run at about 100* and be happy with that. Are you running cards or hypers? If running hypers, I would stick with DINa, but you will never know if hypers@ORTF will sound good at RR until you try it out for yourself
I have ran and have heard some GREAT recordings with hypers@ORTF, it just really depends on venue. I ran DIN at RR when I was there for Trey in 2001 and couldnt have been happier with the end results, I just wish I had the Big-Ass Shure windscreens at the time when I was there. I just had the larger DPA screens at the time, and they did and AOK job on wind protection but they could only do so much. I would ONLY record at RR with the big-ass shures because it gets SOOO windy. In fact, the first nite of Trey on 7/17/2001, it was SOOOO windy, that during the encore of 'At The BBQ', the wind was SOOO intense, that it actually knocked over Trey's mic stand and a few of his bands music stands, yes it was THAT windy. I would make sure you have the big-ass shure screens or at least the larger DPA screens+dead rats or I honestly wouldnt even try recording there, but YMMV
Good luck and please let us know how your recording turns out after the fact!
Bean