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Pro shot recordings are super boring. All the special effects and flying camera shots ad nothing to the experience of the actual show.
Quote from: robeti on May 20, 2024, 06:34:15 PMPro shot recordings are super boring. All the special effects and flying camera shots ad nothing to the experience of the actual show.I haven't watched a modern festival video in at least ten years because I simply can't stand the constant split second camera angle changes and feeling like I'm riding a roller coaster trying to follow the camera around. If the music and performance are good, you don't need any of that BS. Make the performance the focal point of the video; NOT the camera work.
I bought a camcorder and I'm trying to get into filming shows. I've tried to approach this by first tying to get legitimate permission from bands (or management) on social media and contacting venues to see if I can get permission. Needless to say, it's not going well. I'm like 0 for 25 on this. Essentially every artist ignores my request, and every venue defaults to "no" without any consideration if the band may be taper-friendly. It seems all these years later, the taboo of video cameras is alive and well in the concert industry.So I'm pretty much at the point now where throwing caution to wind, sneaking in the gear, and attempting to stealth the show is my only option. Although I'm not sure how stealthy one can actually be with a camcorder. It seem to a large degree, I'd be hoping for venue staff to be cool enough to just look the other way and not bother me about it.Any ideas?