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What this all leads to, for me, is the conclusion that dual-diaphragm stereo microphones set as cardioids, or coincident placement of dual-diaphragm cardioids in general, is rarely an optimal choice for the usual "semi-distant" type of stereo recording as compared with spaced placement of similar microphones, or the use of single-diaphragm cardioids for coincident or near-coincident "semi-distant" recording.