I've taped like 6 shows this week with the Leegeddy Nak 300's.
2 in a bar, Cary Street & Cafe Diem, neo punk & acoustic jazz
1 keller williams in an airplane hanger with a bunch of noisy-ass college kids
make that 3 for the bars. got King Solomon's Marbles (GD cover band) at Mojo's after Mule.
and Mule @ the Landmark.. ots and fob.
only thing left to do now is an outdoor venue
my thoughts so far? In this Nak fanatic's opinion....
The mics clarity, Bass, Mids, Highs and output have totally improved. .
but somehow they seem to have lost some of their Nak characteristic.
While I'm enjoying the "active" setup and all around improved sound, i feel like i gave up some of the "Nak sound".
if you want low cost, high quality "actives" with a Nak-ish sound these are definitely the way to go!
though if you're a geeky Nak purist and have to keep that classy sound, you may wanna leave them alone.
just my $.02
-Mike