An appropriate comparison should involve one set of mics and some XLR splitters at the appropriate place in the chain - this way all things are equal in terms of mics, pattern/placement, cables etc. are the same. It should then be repeated in different circumstances (indoor vs. outdoor, club vs theatre vs larger venue, different types of music etc.) After all that, the various recordings should be played "blind" to a variety of folks (i.e. no idea which is which). Then the results should be compared. I'm guessing different folks will like different gear under different circumstances...
As for the MP-2 - I've used one for years with my KM140s and always loved the combo. I also like the variable gain as opposed to the stepped gain on other pre-amps I've used.