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Gear / Technical Help => Cables => Topic started by: Scooter on September 28, 2004, 12:45:28 PM
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I've seen multiple ways to wire balanced to unbalanced. Some have it going pin1 & 3 jumpered>sleeve, then pin2>tip w/ screen unused. I've also seen just pin1>sleeve, and pin2>tip, pin 3 blank w/ screen unused. Then i've seen pin1>sleeve, pin2>tip, pin3 blank, w/ the screen wired to the case of the XLR, but unconnected on the other end. Once and for all, which is the correct way??
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I've seen multiple ways to wire balanced to unbalanced. Some have it going pin1 & 3 jumpered>sleeve, then pin2>tip w/ screen unused. I've also seen just pin1>sleeve, and pin2>tip, pin 3 blank w/ screen unused. Then i've seen pin1>sleeve, pin2>tip, pin3 blank, w/ the screen wired to the case of the XLR, but unconnected on the other end. Once and for all, which is the correct way??
the correct way that i've been taught is:
Pin 2 > Tip (+)
Pin 3 > Shield
Pin 1 > Sheild
never leave Pin 3 open "floating" and never use the shell.
marc
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ya, i figured leaving pin 3 floating was a bad idea... Thanks for the info ;)
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I think the British have a different arrangement for wiring for XLRs??? Anyone confirm....?
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I've seen multiple ways to wire balanced to unbalanced. Some have it going pin1 & 3 jumpered>sleeve, then pin2>tip w/ screen unused. I've also seen just pin1>sleeve, and pin2>tip, pin 3 blank w/ screen unused. Then i've seen pin1>sleeve, pin2>tip, pin3 blank, w/ the screen wired to the case of the XLR, but unconnected on the other end. Once and for all, which is the correct way??
the correct way that i've been taught is:
Pin 2 > Tip (+)
Pin 3 > Shield
Pin 1 > Sheild
never leave Pin 3 open "floating" and never use the shell.
marc
The above is for unbalanced. Balanced has a + and a -.
-e
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I think the British have a different arrangement for wiring for XLRs??? Anyone confirm....?
....those damn Brits!!
jk;
marc
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There are basically 2 ways... one is tying PIN 2 and 3 together and the other is an audiofiles approach
XLR RCA
Pin 2 TIP
Pin 3 Sleeve
Pin 1 N/C
both work.
jah
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Hey Guys,
While there is certainly a lot of dispute on right and wrong ways to handle a balanced to unbalanced connection, the common versions I see are:
Pin 2 >center of RCA or tip of 1/4"
Pin 1 >shield (shell of RCA or Sleeve of 1/4")
Pin 3 >shield (shell of RCA or Sleeve of 1/4")
When taking a transformer isolated output (ex: EAA PSP-2 pre-amp) to an RCA, it is common to float Pin 3 on the XLR end.
I have never seen a case where pin 2 and 3 were shorted (ie. connected to the hot center pin together). Remember, they are out of polarity with each other and would cancel to near silence.
In installed sound systems, landing shield to pin 1 on xlr and to shell on the RCA is a point on unending argument. Some like to land it on both ends, others argue vehemently that it should only be landed on one side or the other. This is equally true in XLR>XLR balanced connections as it is here.
The papers of Bill Whitlock, Jensen Transformers, provide fantastic insight. They are available at www.jensentransformers.com
I hope this helps.
Marc
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good food for thought Marc, thanks.