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While 2GB discs may not be physically possible perhaps they could develop an ATRAC lossless..or something...and the would expand disc capacity. Even if it was only a jump up to 120-125 min that would be perfect for almost any show.
Quote from: dunebug81 on April 07, 2006, 12:48:28 AMWhile 2GB discs may not be physically possible perhaps they could develop an ATRAC lossless..or something...and the would expand disc capacity. Even if it was only a jump up to 120-125 min that would be perfect for almost any show.As others note: ATRAC lossless exists. But anyway, you can get many hours on one disk at the next-to-perfect setting and I'm not sure why you'd need better than that for taping a live show. I continue to cover MD issues at my site, and have an update on this new model here.
The reason I want to use PCM rather then HI-SP is because I typically am right up front in front of a speaker and the bass is booming. The PCM will handle in the most insane bass levels where the HI-SP doesn't. Ive tested this at a show where I did half a set in PCM and the other half in HI-SP and the PCM has much better low end.
Quote from: dunebug81 on April 10, 2006, 05:23:39 PMThe reason I want to use PCM rather then HI-SP is because I typically am right up front in front of a speaker and the bass is booming. The PCM will handle in the most insane bass levels where the HI-SP doesn't. Ive tested this at a show where I did half a set in PCM and the other half in HI-SP and the PCM has much better low end.Interesting. I would have definitely assumed that the pre-amp or even mic would bottom-out before the encoding. Perhaps though you are using an external pre? In any case, I cannot argue with your experience and it is indeed informative to know this can be a problem.
its allready out
Quote from: stober on May 20, 2006, 02:49:27 PMits allready outWell, sorry, I am confused here...I have first been told that SONY-MZ-RH1 was expected to be available on the 3rd week of may (this week). But looking at SP site they are still in pre-order mode, expecting to send them in june and someone even told me that they won't be there before july Available? Or not?
Maybe a couple of small scratches, but thats because these mics are chick magnets.Girls always up on Andy tryin to grab these mics, the scratches are from their wedding rings.
Quote from: robin746 on April 10, 2006, 06:53:08 AMQuote from: dunebug81 on April 07, 2006, 12:48:28 AMWhile 2GB discs may not be physically possible perhaps they could develop an ATRAC lossless..or something...and the would expand disc capacity. Even if it was only a jump up to 120-125 min that would be perfect for almost any show.As others note: ATRAC lossless exists. But anyway, you can get many hours on one disk at the next-to-perfect setting and I'm not sure why you'd need better than that for taping a live show. I continue to cover MD issues at my site, and have an update on this new model here.I know it exists..I ment developed for a recording setting not just a setting in Sonic Stage. The reason I want to use PCM rather then HI-SP is because I typically am right up front in front of a speaker and the bass is booming. The PCM will handle in the most insane bass levels where the HI-SP doesn't. Ive tested this at a show where I did half a set in PCM and the other half in HI-SP and the PCM has much better low end.I'm referring to bass at an arena show such as NIN during "Burn" "The Line Beings To Blur" "Reptile" songs which are pretty bass heavy.
Quote from: dunebug81 on April 10, 2006, 05:23:39 PMQuote from: robin746 on April 10, 2006, 06:53:08 AMQuote from: dunebug81 on April 07, 2006, 12:48:28 AMWhile 2GB discs may not be physically possible perhaps they could develop an ATRAC lossless..or something...and the would expand disc capacity. Even if it was only a jump up to 120-125 min that would be perfect for almost any show.As others note: ATRAC lossless exists. But anyway, you can get many hours on one disk at the next-to-perfect setting and I'm not sure why you'd need better than that for taping a live show. I continue to cover MD issues at my site, and have an update on this new model here.I know it exists..I ment developed for a recording setting not just a setting in Sonic Stage. The reason I want to use PCM rather then HI-SP is because I typically am right up front in front of a speaker and the bass is booming. The PCM will handle in the most insane bass levels where the HI-SP doesn't. Ive tested this at a show where I did half a set in PCM and the other half in HI-SP and the PCM has much better low end.I'm referring to bass at an arena show such as NIN during "Burn" "The Line Beings To Blur" "Reptile" songs which are pretty bass heavy.Wouldnt a pair of higher quality mics solve this problem? maybe some cardiods?
Wouldnt a pair of higher quality mics Schoeps solve this problem? maybe some cardiods with an NBox?
rule #1 - get the show tapedrule #2 - see rule #1
“If it's a good idea, go ahead and do it. It's much easier to apologize than it is to get permission.”
Quote from: fluffhead13 on May 21, 2006, 04:35:02 AMWouldnt a pair of higher quality mics Schoeps solve this problem? maybe some cardiods with an NBox?I corrected for what you meant to say
Quote from: rspencer on May 24, 2006, 06:33:59 PMQuote from: fluffhead13 on May 21, 2006, 04:35:02 AMWouldnt a pair of higher quality mics Schoeps solve this problem? maybe some cardiods with an NBox?I corrected for what you meant to say hahahahaahhaahaha...funny shizzle.I think youz gotz itz rightI actually was thinking of the Church Audio mics for him. They are the smart, inexpensive, cardiod solution rspenser: I want to send you a recent recording I have done. pm me if interested please.
