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Author Topic: Oddball microphone technique (OMT) - part 3  (Read 51562 times)

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Offline fireonshakedwnstreet

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Re: Oddball microphone technique (OMT) - part 3
« Reply #345 on: October 25, 2022, 12:41:15 AM »
Hear, hear! I'm with checht: big props to GB! Have been consistent pulls with the OMT8 set up. Happy with this WolfDog recording at Westville Music Bowl: https://archive.org/details/bw2022-10-01.omt8audmtx.perez.t-flac16. Ran OMT8 last night at Phil with all directional mics (split cards), plus the usual shotgun, hyper, super combo. Still working on that one. Keep it rolling!
Mics: AT 3031; AT 853Rx (c, o); CA-14(c); Naiant X-R (h); Studio Projects C4 (c, o, h); Nak 300/Tascam PE-125/JVC M510 (cp-1, cp-2, cp-3, JVC M510 superdirectional caps)
Recorders: Tascam DR-680 MkII; Tascam DR-70D; Tascam DR-5; Tascam DR-2D
Pres: Edirol UA-5 (Oade PMod & WMod); Marantz PMD661 (OCM); Naiant MidBox

Offline Gutbucket

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Re: Oddball microphone technique (OMT) - part 3
« Reply #346 on: October 25, 2022, 10:39:57 AM »
Thanks guys! And thanks for the links. Feels good to know other tapers are using these techniques and making outstanding recordings with them.  In part as confirmation that I'm not totally crazy following this oddball path.  Its been my primary way of giving back to the community, as I rarely get around to getting my recordings out unless the artist requests it and I make the time to do it - certainly my weak point.  But I'm looking forward to my next life chapter when I can really immerse myself in working on the back catalog.  Good stuff in there.  What a long strange trip!
musical volition > vibrations > voltages > numeric values > voltages > vibrations> virtual teleportation time-machine experience
Better recording made easy - >>Improved PAS table<< | Made excellent- >>click here to download the Oddball Microphone Technique illustrated PDF booklet<< (note: This is a 1st draft, now several years old and in need of revision!  Stay tuned)

Offline fireonshakedwnstreet

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Re: Oddball microphone technique (OMT) - part 3
« Reply #347 on: October 26, 2022, 11:54:30 AM »
Phil from Sunday: https://archive.org/details/paf2022-10-23.omt8-audmtx.perez.t-flac16

Source: OMT8 AUD MTX (24/44.1)
Channels 1|2: Studio Projects C4 (hyper), split 2' @ 45 degrees -> Naiant MidBox -> Tascam DR-680MKII
Channel  3|4: Tascam PE-125 w/ JVC M510 Superdirectional caps, split 6”, PAS -> Marantz PMD 661 (Oade Concert Mod) -> Tascam DR-680MKII
Channel  5|6: Audio Technica 853Rx (cards) A-B split 3'-> Edirol UA-5 (Oade Warm Mod)  -> Tascam DR-680MKII
Channels 7|8: Samson CO2 (supercard), X-Y PAS -> Edirol UA-5 (Oade Presence Mod) -> Tascam DR-680MKII  :yack:
Mics: AT 3031; AT 853Rx (c, o); CA-14(c); Naiant X-R (h); Studio Projects C4 (c, o, h); Nak 300/Tascam PE-125/JVC M510 (cp-1, cp-2, cp-3, JVC M510 superdirectional caps)
Recorders: Tascam DR-680 MkII; Tascam DR-70D; Tascam DR-5; Tascam DR-2D
Pres: Edirol UA-5 (Oade PMod & WMod); Marantz PMD661 (OCM); Naiant MidBox

Offline Gutbucket

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Re: Oddball microphone technique (OMT) - part 3
« Reply #348 on: October 31, 2022, 09:57:13 AM »
Thx! Diggin' the wide-split cards.  It's sounding sweet and as-there even on the throw-away airline headphones I'm using at the moment.  Can't judge bottom at all on these though, so that will have to wait. 
musical volition > vibrations > voltages > numeric values > voltages > vibrations> virtual teleportation time-machine experience
Better recording made easy - >>Improved PAS table<< | Made excellent- >>click here to download the Oddball Microphone Technique illustrated PDF booklet<< (note: This is a 1st draft, now several years old and in need of revision!  Stay tuned)

 

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