i was thinking of biting the bullet on the mk22s
I've had a pair on loan since early December, specifically to try them out on a series of jobs in the weeks before Christmas, and I like them a lot. The trouble is that my shopping list was already full before these found their way to a spot near the top of the list
They got used on classical music concerts in larger concert halls (2500-5000+ seats) carol concerts ranging from largish cathedrals (2000-3000 seats) to churches (about 500 seats) to the Ball Room at Buckingham Palace (in carpeted floor setup seating about 400-500) in the roles of ORTF and ORTF-like near coincident (different spacing) main pair setups, as spot mics on RC700/1200 extension tubes for vocal soloists, as speech mics for readings, and on solo harp, lute, and clarinet.
Before trying them I was interested but not especially convinced that I really needed them as I have many other Schoeps capsules (including MK4 and MK21) and couldn't really see that I'd have a great need for an intermediate pattern. Having now tried them, I found them far more useful than I expected; partly due to the polar pattern and partly sue to the very 'friendly' way that they resolve the frequency spectrum. They worked particularly well in the Harp/Lute/Guitar spot roles and proved very useful in the close up vocal spot role (think Pavarotti/3 Tenors type positioning) with heavy PA coverage and close foldback speakers, etc..As a main stereo pickup I found them rather LF light but my most used choices for this on full range programme would probably be spaced/baffled omnis of some sort or maybe the MK21s in an ORTF-like array for things where the omni LF extension isn't needed. The HF resolution and 'texture' on the MK22 is very beguiling, particularly on plucked things like harps and lute/guitar; smooth and clear without being hard or clinical.
For me, a very useful capsule and definitely on the buy soon list. How soon will depend upon how long I can get away with holding on to the demo pair