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Author Topic: SCMS & DAT to SDHC Transfers  (Read 2726 times)

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Offline rigpimp

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SCMS & DAT to SDHC Transfers
« on: April 09, 2013, 05:56:15 PM »
What happens with SCMS if you take the digital out from a DAT deck that cannot defeat it and go into a bit bucket like my R-44.
Mics: Schoeps MK 5 MP, Schoeps MK 8 MP, Schoeps MK 41 MP, KCY 250/5 > PFA
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Offline H₂O

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Re: SCMS & DAT to SDHC Transfers
« Reply #1 on: April 09, 2013, 08:24:45 PM »
I am pretty sure most modern gear ignores SCMS
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Offline rigpimp

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Re: SCMS & DAT to SDHC Transfers
« Reply #2 on: April 09, 2013, 09:16:17 PM »
I am pretty sure most modern gear ignores SCMS

That is what I was thinking too I just haven't tried to take a digital signal out of a SCMS DAT deck to my R-44 yet.  It does not seem logical that you would not be able to make copies of a .wav file. 
Mics: Schoeps MK 5 MP, Schoeps MK 8 MP, Schoeps MK 41 MP, KCY 250/5 > PFA
Pre/A>D/P48: Sonosax SX/M2, Sonosax SX/M2-LS, E.A.A. PSP-2, Baby Nbox, Neumann BS48i-2 (for sale)
Recorders: Sound Devices Mixpre-6ii, Sony PCM-A10
Playback: Jolida 1501 Hybrid > McIntosh MX 130 > Von Schweikert VR-4 JR, or Little Dot MK III > Sennheiser HD700
http://archive.org/bookmarks/kskreider
https://www.concertarchives.org/kskreider
https://archive.org/details/thespps

Offline twatts (pants are so over-rated...)

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Re: SCMS & DAT to SDHC Transfers
« Reply #3 on: April 09, 2013, 09:38:16 PM »
What happens with SCMS if you take the digital out from a DAT deck that cannot defeat it and go into a bit bucket like my R-44.

From Page 6 of the R44 Manual:

Quote
When exchanging audio signals through a digitalconnection with an external instrument, this unit can perform recording without being subjected to some of the restrictions of the Serial Copy Management System(SCMS). This is because the unit is intended solely for musical production, and is designed not to be subject to restrictions as long as it is used to record works (such as your own compositions) that do not infringe on the copyrights of others. (SCMS is a feature that prohibits second-generation and later copying through a digital connection. It is built into MD recorders and other consumer digital-audio equipment as a copyright-protection feature.)

http://www.manualslib.com/manual/42810/Edirol-R-4.html?page=6

Terry

***Do you have PHISH, VIDA BLUE, JAZZ MANDOLIN PROJECT or any other Phish related DATs/Tapes/MDs that need to be transferred???  I can do them for you!!!***

I will return your DATs/Tapes/MDs.  I'll also provide Master FLAC files via DropBox.  PM me for details.

Sony PCM R500 > SPDIF > Tascam HD-P2
Nakamichi DR-3 > (Oade Advanced Concert Mod) Tascam HD-P2
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Offline mysticeyes

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Re: SCMS & DAT to SDHC Transfers
« Reply #4 on: April 09, 2013, 09:51:34 PM »
I tested this recently, from my consumer-grade Sony DAT deck to the R-44, and made a second-generation digital copy of a retail CD, so no problem  :).

Offline rigpimp

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Re: SCMS & DAT to SDHC Transfers
« Reply #5 on: April 09, 2013, 10:23:22 PM »
Thanks guys.  Topic locked.
Mics: Schoeps MK 5 MP, Schoeps MK 8 MP, Schoeps MK 41 MP, KCY 250/5 > PFA
Pre/A>D/P48: Sonosax SX/M2, Sonosax SX/M2-LS, E.A.A. PSP-2, Baby Nbox, Neumann BS48i-2 (for sale)
Recorders: Sound Devices Mixpre-6ii, Sony PCM-A10
Playback: Jolida 1501 Hybrid > McIntosh MX 130 > Von Schweikert VR-4 JR, or Little Dot MK III > Sennheiser HD700
http://archive.org/bookmarks/kskreider
https://www.concertarchives.org/kskreider
https://archive.org/details/thespps

Offline twatts (pants are so over-rated...)

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Re: SCMS & DAT to SDHC Transfers
« Reply #6 on: April 10, 2013, 07:38:47 AM »
What happens with SCMS if you take the digital out from a DAT deck that cannot defeat it and go into a bit bucket like my R-44.

From Page 6 of the R44 Manual:

Quote
When exchanging audio signals through a digitalconnection with an external instrument, this unit can perform recording without being subjected to some of the restrictions of the Serial Copy Management System(SCMS). This is because the unit is intended solely for musical production, and is designed not to be subject to restrictions as long as it is used to record works (such as your own compositions) that do not infringe on the copyrights of others. (SCMS is a feature that prohibits second-generation and later copying through a digital connection. It is built into MD recorders and other consumer digital-audio equipment as a copyright-protection feature.)

http://www.manualslib.com/manual/42810/Edirol-R-4.html?page=6

Terry

Oops!  Looks like I was in too much of a hurry...  The instructions I posted are for the R-4, not the R-44...  Sorry!

I'm not sure if the same applies to the R-44...

Terry
***Do you have PHISH, VIDA BLUE, JAZZ MANDOLIN PROJECT or any other Phish related DATs/Tapes/MDs that need to be transferred???  I can do them for you!!!***

I will return your DATs/Tapes/MDs.  I'll also provide Master FLAC files via DropBox.  PM me for details.

Sony PCM R500 > SPDIF > Tascam HD-P2
Nakamichi DR-3 > (Oade Advanced Concert Mod) Tascam HD-P2
Sony MDS-JE510 > Hosa ODL-276 > Tascam HD-P2

******

 

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