I've had my MP-6 II sitting on a shelf since June/July and was finally able to dust it off last night for a small show with 50 people.
Despite some of the newb issues involved during the opening act (including forgetting the Baby nBox uses MIC IN and not LINE IN after wondering why the levels were so low), I've got some poly wav files to play with. Had the machine do safety copies to a USB drive which I've since copied to my Windows 10 PC. I've dug around a little but can't find anything definitive so I'll ask for some input here.
As I had board access, it made sense to record in 32-Bit Float but then noticed the exported files separated by Wave Agent Beta had static in them. I've since read that it doesn't support 32-Bit Float which doesn't quite help me.
Questions:
A. (not post-processing but will ask here): Can I tell the MP-6 II to *NOT* record the Stereo Mix? I have no need for this since, in our purposes, there'll always been a delay between the soundboard and the room sound so this is simply wasting space/time.
1. Is there an easy way to extract the ISOs to Stereo Pairs? In this example, I've got six channels of audio in the Poly WAV (Stereo Mix, 1-2 Audience, 3-4 Soundboard) or is it better to simply work with everything as Poly WAVs in Audition?
2. What about archiving the files? In the past, I used to create FLAC backups of everything but obviously FLAC doesn't like the Poly WAV files via Trader's Little Helper. Next best practice or is there a better way of doing this?
Thanks everyone!