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Offline yemncsu

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Re:playback systems...
« Reply #30 on: November 11, 2003, 03:34:26 PM »
Pioneer DV-563A(DVD-A/V;SACD) or Onkyo DX-C370(CD)>Onkyo TXDS-676

Polk Audio:
F: RT1000p
C:CS400i
R:FX300i(dipole surrounds-not that great for multichannel music)
S:PSW350i

Monster: 400mkII interconnects, IDL100 Coax(pioneer), ILS100 optical(Onkyo), MB400, M1 front speakers, XP-CI center and rear, HTS1000 power center
ADK A-51TL>UA-5>MTII

Offline Lee

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Re:playback systems...
« Reply #31 on: November 12, 2003, 02:58:22 AM »
Craig,
How did the Sunfire's match up with the maggies?  I'm looking to add a sub or subs in the near future...
« Last Edit: November 12, 2003, 03:01:11 AM by Lee »
Denon AVR 3808ci > Paradigm Reference Studio 20 + Velodyne DLS 3750

Offline Nick's Picks

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Re:playback systems...
« Reply #32 on: November 12, 2003, 07:49:12 AM »
My system:
Philips 963sa DVD/SACD > cheap AR interconnects
Audio Experience (Y-S audio) Symphonies tube preamp > decent Monster interconnects
McCormack DNA-1 powerdrive (185wpc @ 8ohm) >
MIT Term 3 biwire speaker cables >
Martin Logan SL3 electrostats

Soon to be added:
ART DIO dac, in transit to Boulder Cables to perform the MENSA plus upgrade which is supposed to transfor this $130 DAC into a SERIOUS contender.  I mean real serious.  But, we'll see.  I've never heard it.

Im also SUB shopping as well.  Looking at the moderately priced Velodyne stuff, but would like to find a Vandersteen w2.   I keep getting paradigm subs recomended to me on the newsgroup I mention below, so i'm looking into that stuff too.

fwiw...

Maggies are not electrostats.  They are Plannar technology.  Different, though still flat.
Electrostatic speakers need to be plugged in (AC power).

The Martin Logans are not really expensive in the world of speakers that are their peers.  They are
often considered a good high end value speaker, but king of that title, IMO goes to the maggies.

As per adding a sub and the quickness of flat speakers, I have been discussing this in the rec.audio.high-end
newsgroup and have heard some interesting things.    Let me cut and paste:

 "Nick's Picks" nick@nospam-nickspicks.com wrote:

nousaine wrote: ... snips....


>>>> The main "matching" problem with electrostats is that the falling dynamic
>>>> capability at lower frequencies cannot keep up with a powerful subwoofer.
>
>>IOW
>
>>>> the electrostats figuratively aren't dynamically "fast" enough to kep up
>
>>with
>
>>>> the subwoofer; especially in the crossover range. This can result in
>
>>mid-bass
>
>>>> compression or too-fat bass if the subwoofer gain is increased to try to
>>>> fill-in the crossover hole.
>
Nick wrote:
>>Now, i'm no audio pro but you have just said the exact oppossite of what
>>  has been explained to me.


By people who dont fully understand how this works. It IS true that people
often have better luck matching panel speakers with subwoofers that have more
nearly matched dynamic capabilities especially near the crossover frequency.
That means using a subwoofer with relatively poor dyanmic capability .....
which 'matches' it to a main speaker with that characteristic in its lower
bandwidth.


>>the problem matching subs w/ electrostats (or plannar) speakers is that
>>speakers of this type are *very fast* when comparred to moving cones and
>>coils.  


This is just an Urban Myth. To maintain a given SPL at low frequencies requires
a given level of displacement. Because panel speakers have a large surface area
(an advantage) but a limited stroke they are dynamically limited at low
frequencies.
In other words they are dynamically "slow."

In physical terms a cone speaker with a much smaller surface area must move a
greater distance to maintain the same SPL but also must do so it the same
amount of time (60 times a second at 60 Hz, for example). Therefore it
literally has to be physically "faster."

So you end up w/a sluggish bass responce if not done properly.

>>this is what iv'e been told by ML recently and prior by Magneplannar
>>when I used to be a Maggie fan (still am, btw).


Actually the condition you describe is usually attributable to set-ups that
overcompensate for the mid-bass compression that comes with matching a
dynamically more capable subwoofer with a dynamically limited satellite by
setting the subwoofer level too high.


>>I dont mean to be the guy who asks for help, and then tells others the
>>way it is...I just didn't want to be spreading disinformation, or
>>following it should I be the one mistaken.


Thank you for the question. The "fast" bass Urban Myth is widely spread but
doesn't stand the test when studied with an eye to finding out what really
happens.
 

>>>> As a general rule, most of these issues can be resolved satisfactorily with
>>>> careful crossover/level set-up. For this reason you may wish to try for a
>>>> subwoofer model that has high-pass facility for the mainsf that's not
>
>>already
>
>>>> provided in your electronics.
>>>>
>
>>
>>It took me a long time to finaly dial in the sub I ran w/my Maggies, and
>>  that came down to placement in the room above all else.


Placement is also important. But crossover/level matching is equally important.

Let me give you another example. A few years ago I built a subwoofer that would
produce 120 dB SPL < 10% distortion from 12 to 62 Hz. When matched with a
multichannel system that had very capable active 6.5-inch satellite speakers at
all channels.

What I then got was the classic mid-upper bass compression with high-output
bass material because the 6.5-inch woofers didn't have dynamic capability near
the crossover to "keep up" with the subwoofer.

The "fix" for this was an additional 10-inch powered bandpass "subwoofer" that
operates between 45 and 100 Hz for the left and right main channels. I wasn't
interested in choking-off the bass (using a limited capability subwoofer) to
get the best overall blend.

Another little trick that some might not think of was to increase the
electronic low pass frequency for the subwoofer to 120 Hz. The unit begins
rolling off acoustically around 70 Hz anyway; so a little additional output
just above the acoustical crossover frequency was helpful.

All this simply tells me that basic understanding about
dynamic-capability-matching aspects of sub/sat set-up is very useful and not
widely understood by the industry.  

++++++++++++++++++++++++end of clip+++++++++++++++++++++++++

Now, I dont know if I fully soaked in what was told to me, or even if I fully believe it.  Afterall, this person has contradicted what Maggie and ML dealers have told me directly.  Who knows....




« Last Edit: November 12, 2003, 07:54:32 AM by NicksPicks »

Offline Craig T

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Re:playback systems...
« Reply #33 on: November 12, 2003, 09:43:58 AM »
Craig,
How did the Sunfire's match up with the maggies?  I'm looking to add a sub or subs in the near future...

The "jr" did suprisingly well, 2 sounded tighter than 1 at the same SPL.  Not as boomy as its bigger brothers.  I found lifting them off the floor on short spiked stands helped a bit, too.

Check out the ACI Force, too.  www.audioc.com.  30-day home trial.
Schoeps cmc6/4v / Beyer mc950 / Line Audio CM3, OM1 / ADK A51 / Church Audio CA-14
Naiant Tinybox v2.2 / NBox(P) / Church Audio ST9200 / CA-UGLY
Sony PCM-M10 / Zoom F3 / Zoom F6

Offline Lee

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Re:playback systems...
« Reply #34 on: November 13, 2003, 10:50:31 AM »
thanks, guys.  +T
Denon AVR 3808ci > Paradigm Reference Studio 20 + Velodyne DLS 3750

Offline Tim

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Re:playback systems...
« Reply #35 on: November 13, 2003, 10:52:15 AM »
Nick - keep us updated on that DAC. How much is the mod?
I’ve had a few weird experiences and a few close brushes with total weirdness of one sort or another, but nothing that’s really freaked me out or made me feel too awful about it. - Jerry Garcia

DaryanLenz

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Re:playback systems...
« Reply #36 on: November 13, 2003, 11:07:05 AM »
Lee, it's probably not the best sub out there, but the mirage sfx-8 I got from Nick, well actually I own nick's previous b&w setup, complements the speakers very well in my smallish foyer/living room in my apartment.  Plus, the price was right!

Daryan

Offline Nick's Picks

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Re:playback systems...
« Reply #37 on: November 13, 2003, 12:35:22 PM »
the price for the MENSA plus upgrade to the ART DIO is $500 even
totaling $630, including a new ART DIO to sent them.

I paid less for mine.  I got my DIO, already upraded to the sMART package by boulder cable (a lower level upgrade).  That upgrade alone is $250, i got mine for $160 (unit and upgrade).  So, it should only cost me $250ish to have them finish the upgrade to the MESNA+ package.
I can't wait to hear it.

Offline Tim

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Re:playback systems...
« Reply #38 on: November 13, 2003, 12:36:42 PM »
keep us posted!
I’ve had a few weird experiences and a few close brushes with total weirdness of one sort or another, but nothing that’s really freaked me out or made me feel too awful about it. - Jerry Garcia

Offline Nick's Picks

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Re:playback systems...
« Reply #39 on: November 13, 2003, 07:56:10 PM »
will do.
in fact, i'm planning a little shootout between the m-audio SUPER-DAC, my ART, a Benchmark DAC-1 (whos got one and wants to play?) and the Grace 901.
I'll have that info on site when its ready

Offline MattD

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Re:playback systems...
« Reply #40 on: November 13, 2003, 09:20:35 PM »
Anyone have a Lucid to add to the mix, Nick?
Out of the game … for now?

Offline Nick's Picks

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Re:playback systems...
« Reply #41 on: November 14, 2003, 08:02:16 AM »
nope...I haven't really looked around for one.

Offline Tim

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Re:playback systems...
« Reply #42 on: November 14, 2003, 06:42:54 PM »
sounds interesting. I've only heard the Benchmark and I like what I heard but I need to hear one in my system.
I’ve had a few weird experiences and a few close brushes with total weirdness of one sort or another, but nothing that’s really freaked me out or made me feel too awful about it. - Jerry Garcia

Offline Nick's Picks

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Re:playback systems...
« Reply #43 on: November 21, 2003, 08:06:18 AM »
Carls got one comeing...and i'm also VERY excited to hear it up against the ART.  It it smokes it, then I may find myself a benchmark owner eventualy.

I let Carl buy the stuff, then I decide if its good and get componants of my own.  outside of speaker choices, we have had mirror systems almost.  Different preamps, cables..etc.  its nice as we have some different gear now to swap out w/each other.

Offline Tim

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Re:playback systems...
« Reply #44 on: November 21, 2003, 10:19:23 AM »
that is a pretty nice deal, I got to hear the DAC-1 because Phil has one at Sonic Sense. It's pretty nice to listen on my home system and then go over to SS and listen on the DAC-1 and the Genelec's. The two system's couldn't sound more different!
« Last Edit: November 21, 2003, 10:19:55 AM by Tim »
I’ve had a few weird experiences and a few close brushes with total weirdness of one sort or another, but nothing that’s really freaked me out or made me feel too awful about it. - Jerry Garcia

 

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