Jason, I've joined this board since you posted your original message. The shift in the Schoeps MK 41's characteristics took place shortly after the CMC ("Colette") microphone series was introduced. Thus the vast majority of MK 41 capsules of the older type (with a pattern somewhat closer to hypercardioid) were from older microphone series (CMT and M 221), while nearly all Colette MK 41 capsules are of the present-day type (with a pattern that is more toward supercardioid).
If and when a capsule is rebuilt at Schoeps, in general it gets updated to some extent. My CMT-series MK 41 capsules from 1973, for example, were overhauled two years ago are now behaving and sounding much more like Colette MK 41 capsules than they used to. The point is, you can't tell very much from the serial number of a capsule unless you also know its factory service record.
The pattern of this capsule was always somewhere between hypercardioid and supercardioid from the start; it was never a pure hypercardioid (such beasts are in fact quite rare). The changes in the mid-1970s happened to bring it across the midline between the two patterns, and the U.S. distributor at the time (Jerry Bruck of Posthorn Recordings) made a note of this fact. He started describing the capsule as "supercardioid" in his price lists some time before Schoeps in Germany eventually decided to adopt this description as well.
--best regards