You can't always get a cable between the SBD and the best sounding spot, so this technique won't go away just yet.
OH FUCK this shit is all old and probably solved.
nevermind
That correction number is VERY large. Are you sure the stretch/squash requires six seconds of correction?
1052211 is a lot of samples...
Are you certain that both recordings are continuous? No pauses?
I think you should consider using the other set of lines in my spreadsheet and entering the length of the longer section as 382,058,426 and the difference as the number of samples between the early Sync track start point and the later Sync track start point
When you synced at the start and the end, please mark the locations of the file starts, and use the amount of change as the DIFFERENCE.
The length of time BETWEEN the points is only 382,058,426 samples, which I suggest to plug in as the "LONGER" Length.
(I am gonna have to rewrite this spreadsheet soon anyhow so it's good to get clarity/communication issues sorted out.)
** A note for clarity - the speed change is not computed based on the length of the entire fire.
The speed change is computed based on the number of samples between the two sync points on the longer source versus the number of samples between the two sync points on the shorter source.
I find it easier to count the long one and mark the shorter one's movement, which is why I use the set of lines in my sheet where I plug in length and difference.