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edit to add:another one of mine from this summerhttp://www.archive.org/details/ymsb2008-06-15..flaceverything else I have is 4 channel with nevatons. Of course I have the archived 2 channel, but......Tomorrow night I will be running these side by side with schoeps and dpa's so there should be some good sources to comp with on the archive. I will be running a different pre with these as well (cooper csp1a)
uhhh, fob = front of (sound)board. This was maybe 50-65' from the stage. The pattern that day I believe was NOS. And yes, it was on a stand, maybe 7' high
Anyone know how much just the caps are for these VM-44s? It'd be nice to have both card and omni caps.
set 1 is milabs http://www.archive.org/details/larrykeel2008-05-31..flacstage lip at The Station Inn in Nashville
there may be some monitor bleed but the mics were behind the monitors. Basically an acoustic recording (except the upright had an amp on stage). Pattern I believe is DIN but you can download the text for pertinent info from that archive link.Here are some pics from that show.http://taperssection.com/index.php/topic,104780.0.html
I'll try to dig around to see if I downloaded any of Phil R's stuff to compare to mine. He runs km140>V3 and I run Milab VM44-link>V3, so if I kept any of his recordings, it should make for a good comp.
We started producing microphones in Sweden almost 70 years ago. Still all our microphones are made by hand in our plant in Helsingborg, Sweden.A typical Milab microphone has a heavy-duty brass body with a state of the art black finish. All microphones pass an extensive quality checking procedure.With each microphone, an individual plot with frequency response and sensitivity is enclosed. Matched pairs are available upon request.All models are developed by us in our laboratories and tested in our acoustic chamber. We have our own service staff, doing service and tuning on all microphones.
