You guys are taking these mics out of context.
90% of theatrical performances, film/video productions, 'platinum' voices are captured, or wished they were captured, on DPAs.
Throw in a dose of Union rates, rental rates, etc. and other alternative will be used. But contact any post house, telecine, etc and tell them your audio was captured with DPAs and you won't get any questions. And for someone running an audio cart on the set, that is exactly the reaction you want from post because the best audio eng is the one you never notice.
Sure, I would love to capture that silky, sultry sexy voice with an M150, but sometimes, many times, that's just not feasible...uh...on set.
DPAs are at the top of their food chain. There are only two things that work against them. Price, and durability. Not small fry issues either. But as far as performance and sonic quality - find me a better. Give me one 4061 and you pick a mic of your choice in any price range. Now try to come to the places that I can with my DPA. Kind a like daring a Hummer to follow your 4Runner on the back trails of Tellico. And if I've lost you already, take a backseat and smoke your schwagg.