Hello all,
This is my first post here, so please be gentle. I think I put it in the right place....
Short version:
I want to design and build a preamp to go between a couple of electret mics and a line-input. How much gain do I need, and where should the bass rolloff start?
Long version:
I'm just dipping a toe into the idea of taping at the moment, and don't really want to spend any money. I've tried recording a couple of shows with just my mp3 player's built in mic, but it was completely overwhelmed by the bass. To be honest, that was more or less what I was expecting, but hey, it was zero cost or effort to try it
It occurred to me that I could use the line-in on the mp3 player instead, but obviously I would need a pre-amp. I'm sure I can design and build one with a little effort (I'm an electronic engineer by profession, though most of what I do for a job is digital, rather than analogue), but I don't really know how much gain to put in, or where to start the bass rolloff. So answers to those questions would be very much appreciated.
I've knocked up a quick first-cut schematic, which is (hopefully) attached to this post as pdf & jpeg, so if anyone wants to look and comment, I'd appreciate that too. There aren't many component values on it yet.... If anyone does look, the two op-amps on the right are supposed to be an envelope detector / schmitt trigger to act as an 'overload' indicator, as my mp3 player doesn't have any way of monitoring the recording level (I know this makes it a poor choice for recording :-) This bit of the circuit was a late addition, so might be completely wrong! Without it, I would have to use fixed gain (which seems bad), but with it, I should be able to put variable gain in the preamp, by changing the feedback resistors to variable resistors.
I hope this makes some vague kind of sense. I've probably forgotten half-a-dozen crucial things....
Cheers,
Ian.