OK, so as stated above, I am really happy with the way the mixer worked out. Here is a detailed explanation of what/how I ran for those that care
SBD FeedRan XLRf out of the board to 1/4" in on channel 1 (left) and channel 2 (right).
Matrix AUD FeedI ran MG200s (DIN) -> Zaolla Silverlines -> MP2 -> XLR F outs -> 1/4" into channel 3(left) and channel 4(right) of the mixer. For both the AUD and SBD inputs, I balanced them appropriately corresponding to the channel they were feeding
Side note, I also ran the mini out of the MP2 to a spare M1 to give me a backup in case things went wrong.
Out of MixerI ran 1/4" out of the Behringer MXB1002 -> RCA male -> Mod SBM1 -> D100.
Once I did all of this, I worked with the sound guy to run the house music through the PA, so that I could play with the inputs to get the correct levels. I ended up starting with the AUD sliders at around -15 db and the SBD sliders at 0, and the output of the mixer at 0. In both cases, the gain knobs were not used...the levels were adjusted outside of the mixer and resulted in a line level input being fed. My intent was to boost the levels on the SBM1 to get appropriate levels. Once the show started, I set the SBM immediately to get good recording levels. After that, in listening to the first couple of songs, I ended up backing off the AUD input to -20 db with the only other change being that I increased the SBM1 gain (or attenuated it less, based on the method that the SBM1 uses). What I got is a pretty good mix, especially based on the fact that at points when I knew the crowd was chatty, they still sound in the "background" so to speak of the tape.
I have uploaded the tape to the archive, for those interested in samples:
http://www.archive.org/audio/etree-details-db.php?id=11894I would recommend Running Free and Americana Motel to give you an appreciation for the different song dynamics.
Bottom line, for the money, I definitely like the functionality of this mixer.
Nick