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Gear / Technical Help => Cables => Topic started by: paulrennix on April 20, 2005, 10:23:43 PM
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I want to use some attenuating cables or a box that I can "dial down" a hot soundboard (analog) feed (RCA).
Suggestions?
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I've been mulling over the same. Tired of bringing along a UA-5 & battery just so I can use the damn thing as a volume pot.
I'm just trying to decide on connectors, pad levels and # of settings. Were you thinking single/multiple fixed pads or variable?
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I'm just looking at the options right now.
For connectors, I think RCA would work as if I'm coming out of the board XLR I bring it down to RCA anyway. Variable would be best (ie a knob) but if cables would do the job in 3-6dB incriments I could just get a couple of them...
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There are quite a few options for selectable XLR inline attenuators. I would recommend those. Put them straight into the board and run your XLR>RCA behind them to your deck. The benefit of the XLR attenuators is that you can also use them with mics ahead of your preamp.
These will work well http://www.micsupply.com/shureatten.htm.
The ones I use I can't find anymore but they are selectable in increments from 2db to 32db.
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hmmm....several of the boards I patch out of use 1/4" unbalanced. It sounds like those pads require a balanced signal to work properly. I want an all-in-one solution (and you get a 6dB reduction just by unbalancing)...so I think I'm gonna go RCA in and out. Not too worried about going unbalanced as it's short runs of line-level signal.
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It's easy enough to make a fixed attenuator if you can solder. If you don't solder, you should ask leegeddy to make you a pair of cables with attenuators built in.
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are there plans somewhere for making these?
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Google is your friend:
http://www.google.com/search?hl=en&q=%22fixed+attenuator+circuit%22&btnG=Google+Search
What you need is on the first two pages of the design tutorial.
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ohhh no.
I need instructions for a moron.
I'm not an engineer, but I can solder ; )
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again, google is your friend: http://www.google.com/search?hl=en&q=mic+attenuator+resistors&btnG=Google+Search
more verbose explanation and examples of values: http://www.uneeda-audio.com/pads/
more verbose explanation and program to calculate values: http://www.ethanwiner.com/gadgets.html
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Looks like there are impedance considerations that are different for a soundboard vs. microphone source.
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So I built this thing last week and have used it a few times - seems to work well and doesn't do anything funky to the sound at different attenuation levels. If there are any ee's on the board please let me know if you see anything odd. Even though it's a dead simple circuit I couldn't seem to find anything on the web that did what I wanted - just cover a limited range of attenuation.
http://ca.geocities.com/dkleined@rogers.com/audio
Let me know what you think!
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+T for building that. The circuit you used is fine for what you are doing. Nice job.