I mean external mic, and battery-box. My wants are for small size and quality. No shitty 5 USD external mic ! But no 1.000 USD too, as I don't have Bill Gates's fortune (sadly).
External mike : I was wondering if a Sony ECM 719 or Sound Professionals SP-BMC-2 mini binaural microphones
SD Card : I was considering buying a 8GB SD Card first, the shows could last up to 2h30, and I want to record in the best quality the Edirol RH09 can provide
Hi Olivier,
Since you go for small size, I take it that you're stealthing.
First question: note that binaurals demands a lot of attention to your location and the characteristics of the venue. If you're in the wrong spot, you might end up with a lot of crowd noise. Also, for optimal listening pleasure, binaural recordings should be heard through the headphones. If you intend to listen mainly on your home stereo set or in the car, there are better mic setups. I won't even go into the Sony 719 mic, obviously you won't get a decent stereo image with that.
Did you reflect on the fact that the SP-BMC-2s are omnis? Many of us here start out with cardioids instead, like the Church CA11 combo that was just mentioned.
Second question, what type of gigs are you going to? For loud rock shows, mics+bbox will usually provide a hot enough signal to the R09HR. But for acoustic or low-key sets, you should go for a proper preamp that both provides mic power and gain. Since this is a small one-time investment, the price difference is small enough going for the preamp straight away, to cover all kinds of music.
Like previously said, the Church combo is ideal for a budget stealth kit. If you got more money to spend, look into the DPA 4061. Check the Yard Sale to see if there are any on offer. Otheres here can tell you more about powering them. I know that Church can customize his 9100 pre to take DPA mics too...
Regarding SD card size, the price difference between 8Gb and 16GB is marginal these days. If you go for 16GB, you have the liberty to tape the support act or go to at least one-day festivals. If you're in a tight spot, record in 24/48 instead of 24/96, that will give you twice the time. For non-critical listening, most of us won't hear the difference.