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Quote from: andromedanwarmachine on October 25, 2010, 05:28:46 AMprobably not!That's technology for you!it's all relative to the noise floor though- at a quoted -127bBu that's some peformance...!Well, then tentatively we have a discrepency; If they are the same pre-amps as the early 7 series boxes had, then I don't think you would get 80db (unless something has changed in which case the question turns to what else was affected?). So are they new (a 3rd generation different from the entre 7 series line) or is it a typo?
probably not!That's technology for you!it's all relative to the noise floor though- at a quoted -127bBu that's some peformance...!
(just speccing up my next rig here!)Could I use an FR2-LE with a USB pre 2 through USB connection?Using the USB pre 2 as a front end for the Fostex, feeding it through USB...?Probably more of a Fostex question than a Sound Devices question...
Yes it will work... It's like the MT adapters. The adapters are much cheaper than the 4pin adapters they use for their other preamp/recorders.
As for the power step down, I have two things driving my ideas. 1. I need 12 volts for an Apogee AD-1000. 2. I already own 3 DVD batteries. So stepping it down from 18 volts ( two dvd batteries in series) is most economical way to go. In fact I have completed that set up, I'll post pictures. Stepping down a single DVD battery to 5 volts, again, most economical since I don't have to purchase batteries. I am in the middle of building that item now. I will post pictures of that when it's done. If I were to buy a battery I would buy the battery I linked to which would provide both 12 volt AND 5 volt satisfying both of my needs. If I were to build from scratch, I can see the benefits of stepping down from 12 volts for longer life, but then the regulator will need to be able to dissipate more heat and would require heat sinks of some sort. Right now the converter I envision will allow for the 9 volt dvd battery ( already own) to be used and power both the 5 volt units and the units I am already powering at 9 volts. It will have hot swap capabilities and I will probably include a polarity switch since I may use an Edirol unit which would require a center pin negative. I am trying to not buy more batteries if I can avoid it and know enough to be able to build a voltage regulator. Here are Pictures of the one for the Apogee.A little hard to see since I heat shrinked thinks to keep them in place and to prevent shorts. I had to cut down the strain relief to allow room for the voltage regulator to fit inside the XLR housing, so I used some clear shrink wrap to secure it in place........
Quote from: scyue on October 27, 2010, 06:33:41 PMYes it will work... It's like the MT adapters. The adapters are much cheaper than the 4pin adapters they use for their other preamp/recorders.Hi scyue,I notice you record classical music. I'm putting together a setup to record acoustic grand piano in a semi-permanent situation (i.e., I don't really need a portable rig). Would the mic pres in the USBPre 2 work well enough for that purpose? How would they compare to your more expensive units like the Grace and the Millenia?I'd be going AKG 414's to a preamp with digital out and into the Sony D50 digital input.Thanks,Phillip
Quote from: Dogmusic on October 27, 2010, 07:47:16 PMQuote from: scyue on October 27, 2010, 06:33:41 PMYes it will work... It's like the MT adapters. The adapters are much cheaper than the 4pin adapters they use for their other preamp/recorders.Hi scyue,I notice you record classical music. I'm putting together a setup to record acoustic grand piano in a semi-permanent situation (i.e., I don't really need a portable rig). Would the mic pres in the USBPre 2 work well enough for that purpose? How would they compare to your more expensive units like the Grace and the Millenia?I'd be going AKG 414's to a preamp with digital out and into the Sony D50 digital input.Thanks,PhillipHi Phillip,I think you will be fine with using USBPre2 because I sometimes use SD722 only without any external preamp. SD preamp is very good and I only use the external for serious work that is for distributing to a large audience. But for a straight forward job using the SD is good enough. One thing to remember is the preamp/AD is only a fraction of what makes your recording sound great. Your mics and how they are setup is just as important and also the venue's acoustics and how well the piano and pianist is can determine the overall outcome of a recording. But I think you will be fine. You might want to consider upgrading your mics in the future because AKG even though they are good usually people use a pair of matched DPA, Schoeps or Neumann omni mics. I know an engineer who uses AKG414 into a Apogee miniME all the time in his sessions..even though his recordings are okay the quality can never beat a DPA/Schoeps>Grace/Millennia>SD722 combo. Good luck and you should be fine for all your piano recordings.. FYI read (only) what Richard King (an award winning classical engineer for Sony Classical) say about recording classical piano:http://mixguides.com/microphones/tips_and_techniques/audio_recording_piano_november_2/