It can be a problem, but it doesn't have to be, at least not noticibly. Vertical stacking with a clear shot forward should be fine obviously (who cares if the ceiling and floor reflections are reduced). Most of the mics in that tree have a clear shot. That one stereo mic in the back is probably effected, and maybe the right channel of that one pair of actives on the Left... which is pointing at the back of shure and DPA windscreens.
Rather than refer to that tree, I will refer to the Stone Church where I have first hand experience. For those who haven't been there, there is an overhead I-beam DFC/FOB about 6" wide. There must be pictures here somewhere... Prime real estate is just in front of a wooden post about 12' from stage. If there are 2 tapers, usually one guy clamps to the left side of the beam and one guy clamps to the right. If they both run DIN, there are 2 mics almost touching in the middle. If one is pointing right into the other from 2 inches away, it definitely tends to mess with the sound, you can hear unbalance in a tape. So if it looks "obviously bad" then it is. If you move one forward a few inches, or a foot, then they aren't quite as close, and the sound tends to go "around" the other mic just fine, or at least I can't hear it, and we've had some pretty crowded setups right there. I mean... when was the last time Ted only ran 1 pair of mics?