I have just started to dabble in taping, my first two shows were recorded openly with an Olympus WS 400s. These two shows were by minor performers, an Eagles tribute band and a friend's garage band. Since then I have taken an interest in taping, and I think I am ready to "go to the next level", stealthing some some of my favorite larger name bands.
I have recently run into a lot of money and I've decided to start pursuing my taping interest, and make it into a hobby. My aim is to buy a Sony PCM M10 and start taping somewhat regularly.
My main question is that, when I finally buy the M10, should I also invest in a battery box, preamp, or microphone right away? Or should I stick to the internal mics while I'm still a beginner? Or even stick to my Olympus?
Thanks in advance.
I've been "dabbling" in taping for nearly 20 years now so, even though I don't have a $3000 set of mics, I think I can add some food for thought.
You don't need to spend a lot on mics/pre-amp/battery box to get decent pulls. I've owned everything from Core Sound Binaurals, Giant Squid Audio Labs, Sound Professionals CMC-8 (Audio Technica 933/C), and most recently Church Audio CA-14/o and /c.
Seeing that you'll be in environments where it'll generally be loud enough, you could probably get away with a battery box and a "decent" mic. I've always like Cardioid mics over Omni's as they can deflect a bit of the chatty cathys around you. The CA-14's aren't that big but the CA-11's might be a better bet for you if you're stealthing (I use the CA-14's for most shows although if it's really tight, I use my CAFS-Omnis).
I would PM Chris and see what his cost for the CA-UBB and CA-11 II cardoids would run. I haven't heard anything recorded with them yet, however, he is saying they have a better high end which is one of the reasons I got the CA-14's. Any way you slice it, you'll likely be dropping around $150 or so which isn't bad for what you'll be getting.