I am still a ways off from probably going this route, but since it may take some time to accumulate the funds, I figure it can't hurt to solicit opinions now.
I am have been using primarily stealth mics of various types for years, but I also used to have a Nak300>Zefiro>D8 rig back in the 90s. I got rid of the big rig mostly because it did not get enough use. I tape mostly smaller bands and indie rock bands that, even if they allow taping, are not going to be used to people with massive mic stand rigs coming in.
Now I am considering whether at some point, I might like to at least have the stand option again; that is, if it was a show where I knew I could use a stand, or at least, where there was somewhere good to set it up, I could avail myself of that and get the best possible recording, but if not, could run a more low-profile setup.
From the shows I've personally heard, it seems like the absolute most versatile setup is the Mk4>NBox or Mk4 running into another small pre, in each case using the "active cables." Stealth tapes I've heard with this are awesome, and I am assuming there is no reason that the Mk4 caps, without bodies, cannot be mounted on a stand. Does not having bodies when mounted on a stand create obvious sonic disadvantages?
My main question is, how tough are these things to use in a low-profile situation? I have heard about various things done to hats, but I am having a hard time picturing how that might work. Does anyone have pictures of this/more detailed description that they could send via PM?
The other thing I've run across that seems higher-end is the DPA 4023. Have liked low-profile recordings with these, but is the performance on a stand going to be acceptable, compared with, for instance, the Mk4?
Like I said, it's not a move I am making immediately (well, unless a too good to be true deal comes along) but I am thinking ahead...