A singer-songwriter I love is playing his annual Saturday after Thanksgiving show this year and I pulled a shit tape last year so I'm looking to try a new strategy this year.
Set up is acoustic guitar (DI) and vocal mic run through the sound system and a pedal steel guitar, which won't have the amp mic'd by the house. It's a long narrow pub and the stage is in the middle and faces across the short-way, but the PAs hanging from the ceiling face in opposite directions the long way.
Ideally, I would patch the soundboard for a mono feed of the guitar and vocals and use the other channel to mic the pedal steel myself. (Yeah, I know I lose any real stereo effect, but I tried that last year). Unfortunately, the console is behind the bar and I don't think the owner will let me to it (he didn't last year).
I only have cardiod mics, so split omnis on stage are NOT an option.
Plus, the place can be chatty as hell.
The best idea I can think of, at this point, is to close mic one of the PAs and close mic the pedal steel amp with my own gear. Mixing it down mono. (The PAs won't be really loud, and I'm talking about being a foot away). One variation might be close mic'ing the singer's monitor instead of the PA, but I"m guessing the mix will be better in the PA.
I"m still hoping for the board feed, but if that falls thorugh does anybody else have suggestions.
Thanks,
Tim
PS, Did I mention I ran the mics DFC (X-Y) about 10 feet away last year and it sounded like shit.