Getting the rig figured out for the Miami shows. My buddy has an R-4Pro w/ 20 gig drive that I'll be using. 4 consecutive nights of taping. What would be the best battery solution? The owners manual says to use alkalines.
I'm not gonna bother with the Sonosax or external converters. The R-4Pro sounds good enough from what I've read.
I'm getting the Manfrotto 1004BAC stand, and probably a cheap stereo bar like the AKG or K&M for now. So I guess I'll need a thread adapter.
Since I'm flying cross country, I may just bring some cheap mics. I can borrow a pair of JW modded SPA MC1. Or even cheaper, I've got an un-modded pair that's never been used. Or I've got a nice pair of JW modded 414 B/ULS, but they're not cheap. Maybe running those in A/B omni on a wider bar would be cool?
I don't know how far the taping section is from the stage at American Airlines Arena, but since it's a big indoor venue, I'm guessing that ORTF or Blumlein might sound too distant. Has anyone heard of Omni-Mid-Side? You sum a forward facing ribbon with an omni condenser. This (cardioid) sum is combined with a side facing ribbon in a M/S matrix. I could do this with my Royer SF-12 and one of the 414's. This setup is typically used for classical music, but who knows?