1. Why did you start taping?
I got a portable recorder in 1984 and took it to a few shows. Learned not to sing along. Had access to an early DAT machine starting in 1987, then took it to a show of a band I liked in fall of 1989, then a couple more tapes of them over the next few months. The band asked me to become their soundman the following spring, and I began recording every show so I could learn what I was doing, and create an archive for them, like game films of a sports team. Occasionally taped shows of other bands at clubs when I knew I would be allowed to. Got a good portable recorder several months after I quit mixing that band, and began taping live shows more often, including almost all of the shows I mixed.
2. What do you get out of it?
A sense of history- a taper friend and I founded the "Soundscape Preservation Society" in July 1991, in order to collect and preserve audio of events, especially those which might not otherwise be recorded. I take that quite seriously.
3. Do you trade studio releases or official releases the way you trade bootlegs and do Do you ever feel guilty? (giving away free music and all that jazz thats unaccepted in the "popular" music world)
Trade? No. Occasionally I will burn a commercial release for a friend if I know they would not buy it, but I think they should hear it. I mostly do this to introduce people to new music that they might not otherwise know to check out, and would surely not go buy without hearing it. I do not feel guilty about this, since I feel that it is educational, and therefore an extension of the fair use concept.
4. Do you think allowing fans to tape hurts or helps bands in getting bigger and gaining recognition
It does not hurt. It might help. I think that live recordings can give bands a small boost in fan numbers, but the people who make up the boost tend to become much more involved than average.
5. How much money have you invested in taping gear and has it been a benefit to you and your friends in the community or do you feel like it's a waste of money?
Never tried to count but it's gotta be way over $10,000 if you count blank media. Maybe close to that even if you don't?! Some of the gear is multipurpose though- is my Powermac "taping gear"? How about my other powermac? Soundcards? Software?
Of course I feel it's a benefit. I would not do it otherwise.
6. do you think taping shows increases the fanbase by getting people interested in the music for free, before they have to buy anything?
Sure. See #4.
7...does it also increase attendance at these mostly improvisational shows?
"mostly improvisational" - Uh, I tape all kinds of music, most is pretty structured. Even "jamband" music is mostly structured. In order not to dodge the question which I believe you intended to have me answer, I will say "maybe a little bit" but I KNOW that being able to listen again later increases the enjoyment of the folks who already enjoy the music, and tends to increase the numbers of such people. Do they buy concert tickets because of it? Dunno.
8. if these bands suddenly disallowed taping would it hurt there bottom line (money they make on tour and through record sales)
Maybe a little, and it would surely cost them much of the goodwill they gain by allowing taping.
9. and lastly, is this whole debacle just the dinosaur record companies grasping for straws in an era when technology has made them obsolete?
Debacle? You mean the RIAA suing the crap out of people for trading official releases? Industries tend to be very protective of their bread and butter, but it's up to the public to persuade lawmakers to make changes when injustice runs rampant. Traditional record companies have had to adjust to some new business models. Some do it better than others. The bands that are least bothered by the new systems are the ones who successfully utilize their grass-roots appeal, and let their fans spread the word. Allowing fans to record and trade shows is just one way of doing this.
Thanks for asking. I hope you will share your finished project with us. Best of luck and feel free to PM me if you have further questions.